Chris Wilson, 1978 and Devin Allen, 1994, Free Riding!, 2019
Acrylic on Photograph, 24 x 36 in. (61 x 91.4 cm)
Brian Alfred, GTA Lips, 2005
Paper Collage, 10 x 12 1/2 in. (25.4 x 31.8 cm)
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Provenance:
Mary Boone Gallery
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Links:
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Brian Alfred, Jai Alai, 2005
Paper Collage, 10 x 12 1/2 in. (25.4 x 31.8 cm)
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Provenance:
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Mary Boone Gallery
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Links:
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Steven Assael, Standing Nude (Annaluisa), 1993
Ink and Mixed Media on Paper, 14 1/4 x 9 1/4 in. (36.2 x 23.5 cm)
b. 1957, NYC; trained Pratt; teaches SVA, accomplished, promising young NY artist; skilled draftsman ; primary media -ink & pencil, o/c
Steven Assael, Standing Nude, ((With One Hand on Chest), 1993
Ink and Mixed Media on Paper, 13 1/2 x 10 1/4 in. (34.3 x 26 cm)
b. 1957, NYC; trained Pratt; teaches SVA, accomplished, promising young NY artist; skilled draftsman ; primary media -ink & pencil, o/c
Steven Assael, Michael Holding Helmet, 1992
Oil on Canvas, 42 x 30 in. (106.7 x 76.2 cm)
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Exhibited:
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Arnot Art Museum, Elmira. "Re-Presenting Representation," November 1993.
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Frye Art Museum, Seattle. "Steven Assael," February 18 - May 2, 1999.
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Boca Raton Museum of Art, Boca Raton. "Truth in Beauty/Beauty in Truth: Contemporary Realism from the Seavest Collection," November 11, 1999 - January 2, 2000.
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Neuberger Museum of Art, Purchase. "Facing Reality: Contemporary Realism from the Seavest Collection," September 14, 2003- February 14, 2004.
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Naples Museum of Art. "Steven Assael: Illusions of Reality," October 1, 2010 – January 9, 2011
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Bibliography:
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Michael Gormley, Myra Janco Daniels, James Lillefors, Steven Assael Paintings (Linden Hill: Linden Hill Art Books, 2011). Page 29
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Links:
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Steven Assael, A Seated Figure, 1991-93
Oil on Board, 10 1/4 x 13 1/4 in. (26 x 33.7 cm)
b. 1957, NYC; trained Pratt; teaches SVA; accomplished, promising young NY artist; skilled draftsman ; primary media -ink & pencil, o/c
Steven Assael, May Baby, 1989
Oil on Canvas, 8 3/4 x 14 1/2 in. (22.2 x 36.8 cm)
b. 1957, NYC; trained Pratt; teaches SVA, accomplished, promising young NY artist; skilled draftsman ; primary media -ink & pencil, o/c
Steven Assael, Portrait of Alice, 1988
Oil on Masonite, 21 3/4 x 17 1/2 in. (55.3 x 44.5 cm)
b. 1957, NYC; trained Pratt; teaches SVA, accomplished, promising young NY artist; skilled draftsman ; primary media -ink & pencil, o/c
Steven Assael, Italian Girl, 1986
Mixed Media & Ballpoint Pen, 13 1/4 x 10 in. (33.7 x 25.4 cm)
b. 1957, NYC; trained Pratt; teaches SVA, accomplished, promising young NY artist; skilled draftsman ; primary media -ink & pencil, o/c
John Baeder, Lan-Ting, 2001
Oil on Canvas, 60 x 84 in. (152.4 x 213.4 cm)
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Provenance:
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The Artist
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Exhibitions:
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Morris Museum of Art, The, Augusta. "Pleasant Journeys and Good Eats Along the Way,"
December 8, 2007 - March 9, 2008,
Gibbes Museum of Art March 22 - April 27, 2008
Asheville Art Museum July 11 - October 26, 2008 Tennessee State Museum December 19, 2008 - January 31, 2009 . |
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Bibliography:
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Jay Williams, Kevin Grogan, Donald Kuspit, Pleasant Journeys and Good Eats Along the Way: The Paintings of John Baeder (Jackson: University Press of Mississippi, 2007).
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Links:
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John Baeder, Empire Diner, 1999
Oil on Canvas, 30 3/4 x 48 in. (78.1 x 121.9 cm)
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Provenance:
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Irving Galleries
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Exhibitions:
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Neuberger Museum of Art, Purchase. "Facing Reality: Contemporary Realism from the Seavest Collection," September 14, 2003- February 14, 2004.
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Morris Museum of Art, The, Augusta. "Pleasant Journeys and Good Eats Along the Way,"
December 8, 2007 - March 9, 2008,
Gibbes Museum of Art March 22 - April 27, 2008
Asheville Art Museum July 11 - October 26, 2008 Tennessee State Museum December 19, 2008 - January 31, 2009 . |
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Boca Raton Museum of Art, Boca Raton. "Shock of the Real," December 16, 2008 - March 8, 2009.
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Bibliography:
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Jay Williams, Kevin Grogan, Donald Kuspit, Pleasant Journeys and Good Eats Along the Way: The Paintings of John Baeder (Jackson: University Press of Mississippi, 2007), Page 14
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Louis Meisel with Linda Chase, Photorealism at the Millenium (New York: Harry N. Abrams, Inc., 2002), Page 29; Plate 15
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Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism: The Seavest Collection (Portland: Collector's Press, 2007), Page 49
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Links:
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John Baeder, Four Chefs
Kitchen Window Sill Series; Chefs #3, 1997
Oil on Canvas, 20 x 36 in. (50.8 x 91.4 cm)
b'38, Southbend IN; trnd Auburn U; former art director-Atlanta/NYC; widely published /exhib; rep major public & private collections; works in oil, acrylic, wc; graphics
John Baeder, Chuck Wagon Rest, 1994
Watercolor on Paper, 20 x 30 in. (50.8 x 76.2 cm)
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Provenance:
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The Artist
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Exhibitions:
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Morris Museum of Art, The, Augusta. "Pleasant Journeys and Good Eats Along the Way,"
December 8, 2007 - March 9, 2008,
Gibbes Museum of Art March 22 - April 27, 2008
Asheville Art Museum July 11 - October 26, 2008 Tennessee State Museum December 19, 2008 - January 31, 2009 . |
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Bibliography:
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Jay Williams, Kevin Grogan, Donald Kuspit, Pleasant Journeys and Good Eats Along the Way: The Paintings of John Baeder (Jackson: University Press of Mississippi, 2007).
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Louis Meisel with Linda Chase, Photorealism at the Millenium (New York: Harry N. Abrams, Inc., 2002), Page 38
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Links:
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John Baeder, O'Rourke's Diner, 1994
Watercolor on Paper, 16 x 24 in. (40.6 x 61 cm)
John Baeder, White Rose System, 1993
Oil on Canvas, 24 1/4 x 36 1/4 in. (61.6 x 92.1 cm)
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Provenance:
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The Artist
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Exhibitions:
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Duke University Museum of Art, Durham. "Get Real: Contemporary American Realism from the Seavest Collection," 4 April-6 June 1997.
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Boca Raton Museum of Art, Boca Raton. "Truth in Beauty/Beauty in Truth: Contemporary Realism from the Seavest Collection," November 11, 1999 - January 2, 2000.
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Morris Museum of Art, The, Augusta. "Pleasant Journeys and Good Eats Along the Way,"
December 8, 2007 - March 9, 2008,
Gibbes Museum of Art March 22 - April 27, 2008
Asheville Art Museum July 11 - October 26, 2008 Tennessee State Museum December 19, 2008 - January 31, 2009 . |
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Bibliography:
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John Baeder; Foreward by John Arthur, Diners, Revised and Updated ed. (1978; reprint, New York: Harry N. Abrams, Inc., 1995), Page 142
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Louis Meisel with Linda Chase, Photorealism at the Millenium (New York: Harry N. Abrams, Inc., 2002), Page 32; Plate 27
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Virginia Anne Bonito, Get Real: Contemporary American Realism from the Seavest Collection (Durham, NC: Duke University Museum of Art, 1998), Page 11; Also used as frontispiece
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Links:
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John Baeder, Harris Diner (East Orange, NJ), 1991
Oil on Canvas, 35 x 48 in. (88.9 x 121.9 cm)
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Provenance:
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The Artist
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Exhibitions:
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Duke University Museum of Art, Durham. "Get Real: Contemporary American Realism from the Seavest Collection," April 4 - June 6, 1997.
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Chiostro del Bramante, Rome. "Iperrealisti," April 4- June 15, 2003.
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Morris Museum of Art, The, Augusta. "Pleasant Journeys and Good Eats Along the Way,"
December 8, 2007 - March 9, 2008,
Gibbes Museum of Art March 22 - April 27, 2008
Asheville Art Museum July 11 - October 26, 2008 Tennessee State Museum December 19, 2008 - January 31, 2009 . |
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Boca Raton Museum of Art, Boca Raton. "Shock of the Real," December 16, 2008 - March 8, 2009.
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Vero Beach Museum of Art, Vero Beach. “Beyond Reality: Hyperrealism and American Culture,” February 5 – May 13, 2012.
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Bibliography:
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Gianni Mecurio et al, Iperrealisti (Rome: Viviani Arte, 2003), Page 70
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John Baeder; Foreward by John Arthur, Diners, Revised and Updated ed.
(1978; reprint, New York: Harry N. Abrams, Inc., 1995), Page 52-53
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Louis Meisel with Linda Chase, Photorealism at the Millenium (New York:
Harry N. Abrams, Inc., 2002), Page 30; Plate 22
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Virginia Anne Bonito, Get Real: Contemporary American Realism from the Seavest Collection (Durham, NC: Duke University Museum of Art, 1998), Page 15
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Links:
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William Bailey, Untitled (Woman Seated on Chair), 1988
Graphite on Arches paper, 15 x 11 1/4 in. (38.1 x 28.6 cm)
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Provenance:
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The M. Anwar Kamal Collection
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Exhibitions:
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Cummer Gallery of Art, The , Jacksonville. "The M. Anwar Kamal Collection of Art: Twentieth Century Drawing and Sculpture," November - December 1989.
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Links:
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William Bailey, Untitled (Woman Seated on Couch), 1983
Graphite on Fabriano paper, 15 x 11 1/4 in. (38.1 x 28.6 cm)
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Provenance:
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The M. Anwar Kamal Collection
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Exhibitions:
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Cummer Gallery of Art, The , Jacksonville. "The M. Anwar Kamal Collection of Art: Twentieth Century Drawing and Sculpture," November - December 1989.
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Links:
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William Bailey, Arezzo Still Life, 1979
Oil on Canvas, 30 x 40 in. (76.2 x 101.6 cm)
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Provenance:
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Robert Feldman
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Exhibitions:
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Boca Raton Museum of Art, Boca Raton. "Truth in Beauty/Beauty in Truth: Contemporary Realism from the Seavest Collection," November 11, 1999 - January 2, 2000.
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Bibliography:
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Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism: The Seavest Collection (Portland: Collector's Press, 2007) . Page 27
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Links:
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Jennifer Bartlett, At Sands Point #21, 1986
Oil on Canvas, 36 x 84 in. (91.4 x 213.4 cm)
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Provenance:
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Paula Cooper Gallery
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Exhibitions:
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Neuberger Museum of Art, Purchase. "Facing Reality: Contemporary Realism from the Seavest Collection," September 14, 2003- February 14, 2004.
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Bibliography:
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Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism: The Seavest Collection (Portland: Collector's Press, 2007). Page 29
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Links:
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Hernan Bas, Trans Atlantic Gaze (abstract fog), 2016
Acrylic on Linen, 72 x 60 in. (182.9 x 152.4 cm)
|
Provence: |
| Lehamann Maupin |
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Website: |
David Bates, Ed Walker, 2004
Oil on Canvas, 24 x 18 in. (61 x 45.7 cm)
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Links:
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Romare Bearden, Green Moon, 1982
Watercolor on Paper, 15 x 11 in. (38.1 x 27.9 cm)
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Provenance:
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Sheldon Ross Gallery
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Links:
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Romare Bearden, Johnny Hudgins Comes On, From Profile/Part II:The Thirties Series, 1981
Collage & Mixed Media, 16 x 24 in. (40.6 x 61 cm)
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Provenance:
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Cordier and Ekstrom
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Bibliography:
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Myron Schwartzman, Romare Bearden: His Life and Art (1990; New York: Harry N. Abrams, Inc., ). Page 94
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Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism: The Seavest Collection (Portland: Collector's Press, 2007), Page 34
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Links:
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Romare Bearden, Mecklenburg Autumn, 1981
Collage & Mixed Media on Masonite, 18 x 14 in. (45.7 x 35.6 cm)
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Provenance:
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Sheldon Ross Gallery
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Exhibitions:
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Boca Raton Museum of Art, Boca Raton. "Truth in Beauty/Beauty in Truth: Contemporary Realism from the Seavest Collection," November 11, 1999 - January 2, 2000.
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|
Bibliography:
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Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism: The Seavest Collection (Portland: Collector's Press, 2007), Page 35
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Links:
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Romare Bearden, Helen, 1980
Collage & Mixed Media, 18 x 14 in. (45.7 x 35.6 cm)
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Provenance:
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Cordier and Ekstrom
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Links:
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Romare Bearden, Manhattan, 1980
Watercolor, 14 x 18 in. (35.6 x 45.7 cm)
Romare Bearden, Mother and Child, 1978
Collage & Mixed Media, 12 x 7 in. (30.5 x 17.8 cm)
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Provenance:
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Sheldon Ross Gallery
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Exhibitions:
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Boca Raton Museum of Art, Boca Raton. "Truth in Beauty/Beauty in Truth: Contemporary Realism from the Seavest Collection," November 11, 1999 - January 2, 2000.
|
|
Bibliography:
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Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism: The Seavest Collection (Portland: Collector's Press, 2007), Page 35
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Links:
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Romare Bearden, Untitled
Watercolor on Paper, 9 x 7 in. (22.9 x 17.8 cm)
Gina Beavers, Picasso Underwear, 2020
Acrylic on Linen on Panel, 48 x 48 x 3 in. (121.9 x 121.9 x 7.6 cm)
William Beckman, Deborah #2, 1994-95
Oil on Panel, 17 1/8 x 15 in. (43.5 x 38.1 cm)
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Provenance:
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Forum Gallery
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Exhibitions:
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Frye Art Museum, Seattle. "Painting On the Edge: The Art of William Beckman," August 2 - October 27, 2002.
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Bibliography:
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Carl Belz, William Beckman (Seattle: University of Washington Press, 2002), Plate 84 - Page 99
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Links:
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William Beckman, Study for a Classical Woman, 1991
Oil on Panel, 15 1/2 x 14 1/4 in. (39.4 x 36.2 cm)
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Provenance:
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Forum Gallery
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Exhibitions:
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Indiana University Art Museum, Bloomington. "William Beckman: Dossier for a Classical Woman," March 25 - May 3, 1992.
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Boca Raton Museum of Art, Boca Raton. "Truth in Beauty/Beauty in Truth: Contemporary Realism from the Seavest Collection," November 11, 1999 - January 2, 2000.
|
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Bibliography:
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Carl Belz, William Beckman (Seattle: University of Washington Press, 2002) .
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Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism: The Seavest Collection (Portland: Collector's Press, 2007) . Page 31
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Links:
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William Beckman, Study for "Overcoat", 1985
Oil on Panel, 14 1/2 x 14 1/2 in. (36.8 x 36.8 cm)
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Provenance:
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The M. Anwar Kamal Collection
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Exhibitions:
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Cummer Gallery of Art, The , Jacksonville. "The M. Anwar Kamal Collection of Art: Twentieth Century Drawing and Sculpture," November - December 1989.
|
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Bibliography:
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Carl Belz, William Beckman (Seattle: University of Washington Press, 2002), Plate 27, Page 38
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Links:
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Kent Bellows, Self-Portrait (Threading a Needle), 1999
Oil on Wood Panel, 27 1/4 x 17 in. (69.2 x 43.2 cm)
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Provenance:
Forum Gallery
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Exhibitions:
|
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Boca Raton Museum of Art, Boca Raton. "Truth in Beauty/Beauty in Truth: Contemporary Realism from the Seavest Collection," November 11, 1999 - January 2, 2000.
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Neuberger Museum of Art, Purchase. "Facing Reality: Contemporary Realism from the Seavest Collection," September 14, 2003- February 14, 2004.
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Joslyn Art Museum. "Beyond Realism: The Works of Kent Bellows 1970-2005," September 25, 2010 – January 16, 2011.
|
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Bibliography:
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Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism: The Seavest Collection (2007; Portland: Collector's Press, ), Page 99
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Hutton, Molly S., Beyond Realism: The Works of Kent Bellows 1970-2005 (Omaha, NE: Kent Bellows Studio & Center for Visual Arts, 2010), Exhibition Catalog
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Links:
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Kent Bellows, Sarah: Winter, 1996-97
Oil on Panel, 36 x 26 1/2 in. (91.4 x 67.3 cm)
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Provenance:
Forum Gallery
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Links:
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Kent Bellows, No Heat (Self-Portrait: January, 1995), 1995
Oil on Wood Panel, 19 x 37 in. (48.3 x 94 cm)
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Provenance:
Forum Gallery
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Exhibitions:
|
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Duke University Museum of Art, Durham. "Get Real: Contemporary American Realism from the Seavest Collection," April 4 - June 6, 1997.
|
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Bibliography:
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Virginia Anne Bonito, Get Real: Contemporary American Realism from the Seavest Collection (Durham, NC: Duke University Museum of Art, 1998), Page 23
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Links:
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Kent Bellows, November, Composition with Roses, 1990
Graphite on Paper, 28 1/8 x 12 3/4 in. (71.4 x 32.4 cm)
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Provenance:
Tatischef and Company, Inc.
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Exhibitions:
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Duke University Museum of Art, Durham. "Get Real: Contemporary American Realism from the Seavest Collection," Apri 4 -June 6, 1997.
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Joslyn Art Museum. "Beyond Realism: The Works of Kent Bellows 1970-2005," September 25, 2010 – January 16, 2011.
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Bibliography:
|
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Virginia Anne Bonito, Get Real: Contemporary American Realism from the Seavest Collection (Durham, NC: Duke University Museum of Art, 1998), Page 22
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Hutton, Molly S., Beyond Realism: The Works of Kent Bellows 1970-2005 (Omaha, NE: Kent Bellows Studio & Center for Visual Arts, 2010), Exhibition Catalog
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Links:
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Kent Bellows, Susan at Marty's, 1988
Pencil on Paper, 20 x 11 1/2 in. (50.8 x 29.2 cm)
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Exhibited:
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Arkansas Arts Center, Little Rock. "Kent Bellows," April 28 - May 28, 1989.
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Bruce Museum, The , Greenwich. "Contemporary + Cutting Edge: Pleasures of Collecting, Part III," September 29, 2007 - January 6, 2008. Pages 72-73, Pages 46-47
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Bibliography:
|
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Hall-Duncan, Nancy, Peter Sulton, Contemporary + Cutting Edge: Pleasures of Collecting Part III, (Greenwich, The Bruce Museum, 2007). Page 51
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Links:
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Sadie Benning, Priest, 2016
Mixed Media on Wood, 51 x 34 in. (129.5 x 86.4 cm)
| Provence: |
| Mary Boone Gallery |
| Website: |
| Mary Boone |
| Sadie Benning |
Tom Blackwell, Ordering In, 1998
Oil on Board, 18 1/2 x 21 1/2 in. (47 x 54.6 cm)
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Provenance:
Gallery Camino Real
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Bibliography:
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Louis Meisel with Linda Chase, Photorealism at the Millenium (New York: Harry N. Abrams, Inc., 2002), Page 60; Plate 132
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Links:
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Tom Blackwell, Odalisque Express, 1992-93
Oil on Linen, 61 x 93 1/2 in. (154.9 x 237.5 cm)
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Provenance:
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Gallery Camino Real
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Exhibitions:
|
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Boca Raton Museum of Art, Boca Raton. "Truth in Beauty/Beauty in Truth: Contemporary Realism from the Seavest Collection," November 11, 1999 - January 2, 2000.
|
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Chiostro del Bramante, Rome. "Iperrealisti," April 4- June 15, 2003.
|
|
Bibliography:
|
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Gianni Mecurio et al, Iperrealisti (Rome: Viviani Arte, 2003), Page 82 (also illustrated on back cover)
|
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Louis Meisel with Linda Chase, Photorealism at the Millenium (New York: Harry N. Abrams, Inc., 2002), Page 59; Plate 127 (also illustrated on front cover)
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Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism: The Seavest Collection (Portland: Collector's Press, 2007), Page 39
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Links:
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Tom Blackwell, Herald Square, 1983
Oil on Linen, 60 x 84 in. (152.4 x 213.4 cm)
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Provenance:
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Louis K. Meisel Gallery
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Collection of John McEnroe
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Exhibitions:
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Neuberger Museum of Art, Purchase. "Facing Reality: Contemporary Realism from the Seavest Collection," September 14, 2003- February 14, 2004.
|
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Bibliography:
|
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Louis K. Meisel, Photorealism Since 1989 (: Harry N. Abrams, Inc., 1993), Page 84
|
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Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism: The Seavest Collection (Portland: Collector's Press, 2007), Page 38
|
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Links:
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Andrea Bowers, Vine Woman, 2019
Acrylic, 108 x 86 x 6 in. (274.3 x 218.4 x 15.2 cm)
Inscription on work reads: "Woe is me to have seen what I have seen see what I see"
Carolyn Brady, Water / N.W. 17th Street, 1999
Watercolor on Paper, 30 x 44 1/2 in. (76.2 x 113 cm)
Carolyn Brady, Carrot Dinner/Le Vieux Manoir, 1998
Watercolor on Paper, 15 1/4 x 22 3/4 in. (38.7 x 57.8 cm)
Carolyn Brady, Dessert/ Le Vieux Manoir, 1998
Watercolor on Paper, 15 1/2 x 22 1/2 in. (39.4 x 57.2 cm)
Carolyn Brady, Rabbit Soup/Le Vieux Manoir, 1998
Watercolor on Paper, 15 1/2 x 22 1/2 in. (39.4 x 57.2 cm)
Carolyn Brady, Cardinal Virtues Panel (Charity), 1995-6
Watercolor on Paper on Panel, 63 x 18 in. (160 x 45.7 cm)
Carolyn Brady, Letters From Home/ Villa Les Oliviers, 1994
Watercolor on Paper, 44 1/2 x 67 in. (113 x 170.2 cm)
Carolyn Brady, Red Tulips & Pink Carnations on Red Table, 1986
Watercolor on Arches Paper, 31 x 44 in. (78.7 x 111.8 cm)
Carolyn Brady, Delphinium and Roses on Glass, 1985
Watercolor on Paper, 60 x 40 in. (152.4 x 101.6 cm)
David Bromley, Belinda in Silver, 2008
Acrylic with Silver Leaf and Screen Print on Canvas, 47 5/8 x 35 3/4 x 1 1/8 in. (121 x 91 x 3 cm)
David Bromley (1960 – ) is among Australia’s most popular artists. His work is imbued with a sense of
whimsy and nostalgia, cut by pop art influence from Andy Warhol. He is largely self-taught and best
known for two subjects: the Boy’s Own series which derives from 1950s children’s books and his
portraits of female nudes, of which ‘Belinda in Silver’ is an example.
Large, beguiling and graphic, ‘Belinda in Silver’ is quintessential Bromley. It fuses the aesthetic tradition
of the female nude with a fashion sensibility. Bromley’s women could be actresses, pop stars or models
– the kind of women you want to know. He evokes how glamorous women, particularly those of a
bygone era, are memorialized as icons. Like Warhol’s Marilyn Monroe, ‘Belinda in Silver’ is at once
seductive and distant, slashed with white and orange paint yet commanding our attention.
Delia Brown, Untitled, 2008
Oil on Wood Panel, 6 x 9 in. (15.2 x 22.9 cm)
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Provenance:
D'Amelio Terras Gallery
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Links:
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Delia Brown, Sarah and Jennifer by the Red Table, 2003
Watercolor on Paper, 14 x 11 in. (35.6 x 26.7 cm)
Anthony Brunelli, Prague Market, 2006
Oil on Linen, 36 1/4 x 65 in. (92.1 x 165.1 cm)
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Provenance:
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Louis K. Meisel Gallery
|
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Bibliography:
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Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism: The Seavest Collection (Portland: Collector's Press, 2007), Page 42
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Links:
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Anthony Brunelli, Trinity, 2003
Oil on Canvas, 50 x 87 in. (127 x 221 cm)
|
Provenance:
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Louis K. Meisel Gallery
|
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Exhibitions:
|
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Chiostro del Bramante, Rome. "Iperrealisti," April 4- June 15, 2003.
|
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Boca Raton Museum of Art, Boca Raton. "Shock of the Real," December 16, 2008 - March 8, 2009.
|
|
Bernarducci Meisel Gallery, New York. "The New York Project," September 15 – October 29, 2011
|
|
Bibliography:
|
|
Gianni Mecurio et al, Iperrealisti (Rome: Viviani Arte, 2003), Page 87
|
|
Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism:
The Seavest Collection (Portland: Collector's Press, 2007), Page 43
|
|
Links:
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Kathe Burkhart, Fuck It: From the Liz Taylor Series (candid shot), 2006
Acrylic and Body Jewelry on Canvas, 59 x 39 in. (149.9 x 99.1 cm)
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Provenance: The Artist
|
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Links:
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Kathe Burkhart, No Fucking Way: from the Liz Taylor Series (Who's Afraid of Virginia Woolf?), 2006
Acrylic and Mixed Media on Canvas, 90 x 60 in. (228.6 x 152.4 cm)
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Provenance:
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Alexander Gray Gallery
|
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Exhibits:
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Kunsthalle, Emden. "The American Dream: American Realism 1945 - 2016," November 2017 - May 2018
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Bibliography:
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Kathe Burkhart, The Liz Taylor Series: The First 25 Years 1982-2007 (New York: Regency Arts Press Ltd., 2007).
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Links:
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Hilo Chen, Beach 154, 2006
Oil on Canvas, 36 x 48 in. (91.4 x 121.9 cm)
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Provenance:
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Bernarducci Meisel Gallery
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Bibliography:
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Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism: The Seavest Collection (Portland: Collector's Press, 2007), Page 22
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Links:
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Hilo Chen, Beach #115, 1989
Oil on Canvas, 40 x 50 in. (101.6 x 127 cm)
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Provenance:
Louis K. Meisel Gallery
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Bibliography:
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Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism: The Seavest Collection (Portland: Collector's Press, 2007). Page 23
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Links:
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Hilo Chen, City-6, 1980
Watercolor on Paper, 27 1/4 x 40 1/2 in. (69.2 x 102.9 cm)
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Provenance:
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Louis K. Meisel Gallery
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Links:
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Leidy Churchman, Is the Universe a Simulation, Moderated by Neil deGrass Tyson, 2017
Oil on Linen, 12 x 26 1/2 in. (30.5 x 67.3 cm)
The image in the painting is taken from a 5 April 2016 broadcast from the Museum of Natural History, New York, of the Isaac Asimov Memorial Debate Is the Universe a Simulation? Neil deGrasse Tyson (far left) gathered a group of scientists at New York City's Museum of Natural History for a debate about the universe being a sophisticated computer simulation. David Chalmers, Lisa Randall, James Gates, Max Tegmark and Zohreh Davoudi are pictured left to right.
| Provence: |
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Mary Boone Gallery |
| Links |
Davis Cone, Berkley Box Office, 2000
Acrylic on Canvas, 11 1/4 x 7 1/2 in. (28.6 x 19.1 cm)
Davis Cone, Lane/Rainy Wintry Morning, 2000
Acrylic on Canvas, 14 1/2 x 21 3/4 in. (36.8 x 55.2 cm)
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Provenance:
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Forum Gallery
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Exhibited:
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Vero Beach Museum of Art, Vero Beach. “Beyond Reality: Hyperrealism and American Culture,” February 5 – May 13, 2012.
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Bibliography:
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Michael D. Kinerk and Dennis W. Wihlhelm, Popcorn Palaces: The Art Deco Movie Theatre Paintings of Davis Cone (New York: Harry N. Abrams, Inc., 2001), Page 136
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Links:
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Davis Cone, County, 1999
Acrylic on Canvas, 18 3/4 x 15 1/8 in. (47.6 x 38.4 cm)
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Provenance:
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Forum Gallery
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Exhibitions:
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Boca Raton Museum of Art, Boca Raton. "Shock of the Real," December 16, 2008 - March 8, 2009.
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Bibliography:
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Louis Meisel with Linda Chase, Photorealism at the Millenium (New York: Harry N. Abrams, Inc., 2002), Page 81; Plate 194
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Michael D. Kinerk and Dennis W. Wihlhelm, Popcorn Palaces: The Art Deco Movie Theatre Paintings of Davis Cone (New York: Harry N. Abrams, Inc., 2001), Page 127
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Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism: The Seavest Collection (Portland: Collector's Press, 2007), Page 46
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Links:
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Davis Cone, Thompson, 1980
Acrylic on Canvas, 55 x 39 in. (139.7 x 99.1 cm)
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Provenance:
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OK Harris Works of Art
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Bruce and Barbara Berger, New York
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Private Collection, Switzerland
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Louis K. Meisel Gallery
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Exhibitions:
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Kunsthalle Tübingen (Arts Center of Tübingen), Tübingen, Germany AND Thyssen-Bornemisza Museum, Madrid, Spain. “Photorealism (a traveling European exhibition curated by The Institute for Cultural Exchange in Germany),” at Kunsthalle Tübingen from December 8, 2012 – March 10, 2013 and at Thyssen-Bornemisza Museum April 8 – June 30, 2013.
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Athens. "Davis Cone: Theater Paintings 1977- 83," 8 Jan - 26 Feb, 84.
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Chiostro del Bramante, Rome. "Iperrealisti," April 4- June 15, 2003.
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Neuberger Museum of Art, Purchase. "Facing Reality: Contemporary Realism from the Seavest Collection," September 14, 2003 - February 14, 2004.
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Boca Raton Museum of Art, Boca Raton. "Shock of the Real," December 16, 2008 - March 8, 2009.
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Vero Beach Museum of Art, Vero Beach. “Beyond Reality: Hyperrealism and American Culture,” February 5 - May 13, 2012.
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Bibliography:
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Gianni Mecurio et al, Iperrealisti (Rome: Viviani Arte, 2003), Page 92
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Linda Chase, Hollywood on Main Street: The Movie House Paintings of Davis Cone (Woodstock: The Overlook Press, 1988), Page 66
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Louis K. Meisel, Photorealism Since 1980 (New York: Harry N. Abrams, Inc., 1993), Page 125
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Michael D. Kinerk and Dennis W. Wihlhelm, Popcorn Palaces: The Art Deco Movie Theatre Paintings of Davis Cone (New York: Harry N. Abrams, Inc., 2001), Page 30
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Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism: The Seavest Collection (Portland: Collector's Press, 2007), Page 47
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Links:
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Robert Cottingham, Pool Car, (Study for Large Canvas), 1989
Gouache on Paper, 16 1/2 x 11 1/2 in. (41.9 x 29.2 cm)
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Provenance:
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Gimpel Weitzenhoffer Ltd.
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Exhibitions:
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Boca Raton Museum of Art, Boca Raton. "Truth in Beauty/Beauty in Truth: Contemporary Realism from the Seavest Collection," November 11, 1999 - January 2, 2000.
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Bibliography:
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Louis K. Meisel, Photorealism Since 1980 (New York,Harry N. Abrams, Inc., 1993), Page 280,
Page 160
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Links:
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Robert Cottingham, Barber Shop, 1988
Oil on Canvas, 32 x 32 in. (81.3 x 81.3 cm)
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Provenance:
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Barbara Staempfli, Inc.
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Exhibitions:
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Kunsthalle Tübingen (Arts Center of Tübingen), Tübingen, Germany AND Thyssen-Bornemisza Museum, Madrid, Spain. “Photorealism (a traveling European exhibition curated by The Institute for Cultural Exchange in Germany),” at Kunsthalle Tübingen from December 8, 2012 – March 10, 2013 and at Thyssen-Bornemisza Museum April 8 – June 30, 2013.
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Duke University Museum of Art, Durham. "Get Real: Contemporary American Realism from the Seavest Collection," April 4 - June 6, 1997.
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Neuberger Museum of Art, Purchase. "Facing Reality: Contemporary Realism from the Seavest Collection," September 14, 2003- February 14, 2004.
|
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Bibliography:
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Emma Foa, Artists in Their Time: Edward Hopper (London: Franklin Watts, 2003), Page 40.
|
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Louis K. Meisel, Photorealism Since 1980 (New York: Harry N. Abrams, Inc., 1993),
Page 148, Page 280
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Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism: The Seavest Collection (Portland: Collector's Press, 2007), Page 115
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Virginia Anne Bonito, Get Real: Contemporary American Realism from the Seavest Collection (Durham, NC: Duke University Museum of Art, 1998), Page 31
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Links:
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Will Cotton, Untitled (Drawing Weekend), 2017
Charcoal on Paper, 28 x 18 in. (71.1 x 45.7 cm)
Will Cotton, Ice Cream Cavern, 2003
Oil on Linen, 70 x 80 in. (177.8 x 203.2 cm)
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Provenance:
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Galerie Daniel Templon
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Bibliography:
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Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism: The Seavest Collection (Portland: Collector's Press, 2007), Page 53
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Stephen Farthing, 1001 Paintings You Must See Before You Die (New York: Universe Publishing, 2007), Page 918-19, 929.
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Links:
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Amy Cutler, Bird Watchers, 2002
Casein, Flashe on Wood, 7 1/2 x 7 1/2 in. (19.1 x 19.1 cm)
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Provenance:
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Leslie Tonkonow Gallery
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Bibliography:
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Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism: The Seavest Collection (Portland: Collector's Press, 2007), Page 50
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Links:
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Richard Thomas Davis, Nude #2, 1999
Graphite on Paper (Fabriano Paper), 20 1/2 x 20 1/2 in. (52.1 x 52.1 cm)
Richard Thomas Davis, Red Dot Still Life, 1995
Oil over Tempera on Masonite Panel, 28 x 24 in. (71.1 x 61 cm)
Richard Thomas Davis, White Mums, 1990
Oil Emulsion over Tempera on Canvas, 24 x 28 in. (61 x 71.1 cm)
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Exhibited:
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Flint Institute of Arts, Flint. "New Horizons in American Realism," June - July 1991, Philharmonic Center for the Arts, Naples Fla, Nov '91-Jan '92;
Knoxville Museum of Art, Knoxville,TN. |
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Boca Raton Museum of Art, Boca Raton. "Truth in Beauty/Beauty in Truth: Contemporary Realism from the Seavest Collection," November 11, 1999 - January 2, 2000.
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Bibliography:
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J. E. Kaufman, "Do You Remember Realism?," New York City Tribune, 2/19/90.
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Gerrit Henry, "Richard Thomas Davis at Gerold Wunderlich," ArtNews, January 1991.
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New Horizons in American Realism, Christopher Young (Flint: Flint Institute of Art, 1991).
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Links:
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Richard Thomas Davis, Self Reflections, 1989
Oil over Tempera on Canvas, 40 x 50 in. (101.6 x 127 cm)
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Exhibited:
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Flint Institute of Arts, Flint. "New Horizons in American Realism," June - July 1991, Philharmonic Center for the Arts, Naples Fla, Nov '91-Jan '92;
Knoxville Museum of Art, Knoxville,TN. |
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Bibliography:
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J. E. Kaufman, "Do You Remember Realism?," New York City Tribune, 2/19/90.
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Gerrit Henry, "Richard Thomas Davis at Gerold Wunderlich," ArtNews, January 1991.
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New Horizons in American Realism, Christopher Young (Flint: Flint Institute of Art, 1991).
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Links:
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Amie Dicke, I Suck My Tongue in Remembrance of You, 2004
Cutout, Ink on Poster Paper, 69 x 47 in. (175.3 x 119.4 cm)
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Provenance:
D'Amelio Terras Gallery
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Bibliography:
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Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism:
The Seavest Collection (2007; Portland: Collector's Press, ), Page 59
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Links:
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Richard Diebenkorn, Untitled (RD 850), 1965
Charcoal and Ink Wash on Paper, 14 x 17 in. (35.6 x 43.2 cm)
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Provenance:
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John Berggruen Gallery
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Exhibited:
Neuberger Museum of Art. "Living with Art: Collecting Contemporary in Metro New York," May 1 - August 14, 2010.
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Bibliography:
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Jane Livingston and Barnaby Conrad III, Richard Diebenlorn: Figurative Works on Paper (San Francisco: John Berggruen Gallery, 2003), Plate 35
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Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism: The Seavest Collection (Portland: Collector's Press, 2007), Page 151
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Links:
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Jim Dine, Prayer on the Mirror, 2004
Oil on Wood with Charcoal, Pastel, Acrylic, 72 x 147 3/4 in. (182.9 x 375.3 cm)
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Provenance:
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Richard Gray Gallery
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Bibliography:
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Paul Gray and Jim Dine, Jim Dine: Pinocchio As I Knew Him (New York: Richard Gray Gallery, 2005).
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Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism: The Seavest Collection (Portland: Collector's Press, 2007), Page 73
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Links:
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Jim Dine, Self Portrait, 1964
Watercolor (with Stone and String), 9 x 7 in. (22.9 x 17.8 cm)
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Provenance:
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Jacobson Howard Gallery
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Bibliography:
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Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism:
The Seavest Collection (Portland: Collector's Press, 2007), Page 72
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Links:
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Rackstraw Downes, 69th Street and Broadway, 1977
Oil on Canvas, 15 3/4 x 34 in. (40 x 86.4 cm)
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Provenance:
Hirschl & Adler Modern
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Exhibited
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Neuberger Museum of Art, Purchase. "Facing Reality: Contemporary Realism from the Seavest Collection," September 14, 2003- February 14, 2004.
|
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Vero Beach Museum of Art, Vero Beach. “Beyond Reality: Hyperrealism and American Culture,” February 5 - May 13, 2012.
|
|
Bibliography:
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Sanford Schwartz, Robert Storr and Rackstraw Downes, Rackstraw Downes (Princeton: Princeton University Press, 2005). Page 45
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Links:
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Marcel Dzama, Untitled (Tin Man), 1999
Ink, Watercolor & Rootbeer on Paper, 12 x 10 1/2 in. (30.5 x 26.7 cm)
Don Eddy, The Monad Trilogy, 2000
Acrylic on Canvas, 38 x 20 in. (96.5 x 50.8 cm)
b. '44, Long Beach CA; BFA/MFA U of Hawaii, art hist grad work U C Santa Barbara; media graphite &color pencil on paper, airbrshd acrylic /c
Don Eddy, Seasons of Light, 1998-99
Acrylic on Canvas, 53 x 99 in. (134.6 x 251.5 cm)
Don Eddy, The Bishop's Season, 1998
Acrylic on (3) Wood Panels, 16 x 32 in. (40.6 x 81.3 cm)
b. '44, Long Beach CA; BFA/MFA U of Hawaii, art hist grad work U C Santa Barbara; media graphite & color pencil on paper, airbrshd acrylic /c
Don Eddy, Catena Aurea (The Golden Chain), 1996
Colored Pencil on Paper, 28 1/2 x 28 1/2 in. (72.4 x 72.4 cm)
Don Eddy, Cardinal Virtues Panel (Faith), 1995-96
Oil on Panel, 63 x 18 in. (160 x 45.7 cm)
Don Eddy's image of three entwined poppies placed in the ruins of a house of Faith arises from his conceit that faith flowers in the ruins of current expectations, and it grows out of that which we find most dependable. The arches are suggestive of windows into the soul. The poppy is, itself, a symbol of consolation, and the three flowers represent the triad of virtues.
Don Eddy, Krishna's Gate, 1995
Acrylic on Canvas (in four panels), 65 x 66 in. (165.1 x 167.6 cm)
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Provenance:
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Nancy Hoffman Gallery
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Exhibitions:
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Boca Raton Museum of Art, Boca Raton. "Truth in Beauty/Beauty in Truth: Contemporary Realism from the Seavest Collection," November 11, 1999 - January 2, 2000.
|
|
Bibliography:
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Donald Kuspit, Don Eddy: The Art of Paradox (New York: Hudson Hills Press, 2002), Page 117
|
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Louis Meisel with Linda Chase, Photorealism at the Millenium (New York: Harry N. Abrams, Inc., 2002), Page 93; Plate 224
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Links:
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Don Eddy, Aqueous Lumina, 1993
Acrylic on Canvas (in three panels), 74 x 50 in. (188 x 127 cm)
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Provenance:
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Nancy Hoffman Gallery
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Exhibitions:
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Duke University Museum of Art, Durham. "Get Real: Contemporary American Realism from the Seavest Collection," 4 April-6 June 1997.
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Duke University Museum of Art, Durham. "Don Eddy: From Logic to Mystery," February 4, 2000- May 21, 2000,
Boca Raton Museum of Art, July 26, 2000-September 10, 2000
New Orleans Contemporary Art Center, October 7, 2000-December 3, 2000. |
|
Bibliography:
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Amei Wallach, Don Eddy: From Logic to Mystery (Durham: Duke University Museum of Art, 2000), Plate 30; Page 44
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Donald Kuspit, Don Eddy: The Art of Paradox (New York: Hudson Hills Press, 2002), Page 41
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Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism: The Seavest Collection (Portland: Collector's Press, 2007), Page 60
|
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Virginia A. Bonito, Don Eddy: The Resonance of Realism in the Art of Post War America ( ArtRegister Press, January 2000) .
|
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Virginia Anne Bonito, Get Real: Contemporary American Realism from the Seavest Collection (Durham, NC: Duke University Museum of Art, 1998), Page 35
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Links:
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Don Eddy, Silver Shoes, 1972
Acrylic on Canvas, 40 3/8 x 40 1/2 in. (102.5 x 102.9 cm)
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Provenance:
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Nancy Hoffman Gallery
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Exhibitions:
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Nassau County Museum of Art, Roslyn Harbor. "In Sharp Focus: Super Realism," April-July 1991.
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Duke University Museum of Art, Durham. "Don Eddy: From Logic to Mystery," February 4, 2000- May 21, 2000, Boca Raton Museum of Art July 26, 2000-September 10, 2000
New Orleans Contemporary Art Center October 7, 2000-December 3, 2000.
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Neuberger Museum of Art, Purchase. "Facing Reality: Contemporary Realism from the Seavest Collection," September 14, 2003- February 14, 2004.
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Deutsche Guggenheim, Berlin. "Picturing America: Photorealism in the 1970's," March 7 - May 10, 2009.
|
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Kunsthalle, Emden. "The American Dream: American Realism 1945 - 2016," November 2017 - May 2018
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|
Bibliography:
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In Sharp Focus: Super Realism (Roslyn: Nassau County Museum of Art, 1991), Page 42.
|
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Amei Wallach, Don Eddy: From Logic to Mystery (Durham: Duke University Museum of Art, 2000), Page 23: Plate 11 (Also on back cover)
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Donald Kuspit, Don Eddy: The Art of Paradox (New York: Hudson Hills Press, 2002), Page 105
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Louis K. Meisel, Photorealism (New York: Harry N. Abrams, Inc., 1980), Page 191; Plate 377
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Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism: The Seavest Collection (Portland: Collector's Press, 2007), Page 61
|
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Valerie L. Hillings, Picturing America: Photorealism in the 1970's
(New York: Solomon R. Guggenheim Foundation, 2009).
|
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Virginia A. Bonito, Don Eddy: The Resonance of Realism in the Art of Post War America
(Internet: ArtRegister Press, January 2000) .
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Links:
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Martin Eder, Untitled, 2002
Pencil and Watercolor, 29 1/8 x 21 1/4 in. (74 x 54 cm)
|
Bibliography:
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Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism: The Seavest Collection (Portland: Collector's Press, 2007), Page 128
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|
Links:
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Machiko Edmondson, Serendipity (Sugar Cane After Sonic Youth), 2003
Oil on Canvas, 72 x 60 in. (182.9 x 152.4 cm)
|
Bibliography:
|
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Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism: The Seavest Collection (Portland: Collector's Press, 2007), Page 129
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|
Links:
|
| Nicholas Robinson Gallery |
Tim Eitel, Past, 2013
Oil on Canvas, 17 3/4 x 13 3/4 in. (45 x 35 cm)
Tracey Emin, Thinking About It, 2006
Acrylic on Canvas, 21 9/16 x 23 9/16 in. (54.8 x 59.9 cm)
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Provenance:
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White Cube
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Exhibited:
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52nd Venice Bienalle , Venice. "Tracey Emin: Borrowed Light," June 10 - November 21, 2007.
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Neuberger Museum of Art. "Living with Art: Collecting Contemporary in Metro New York," May 1 - August 14, 2010.
|
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Hayward Gallery, London. “Tracey Emin: Love is What You Want,” May 18 - August 29, 2011.
|
|
Bibliography:
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Toby Forward, Tracey Emin: Borrowed Light (London: British Council, 2007), Page 22.
|
|
Cliff Lauson, Ali Smith, Jennifer Doyle, Michael Corris, Tracey Emin: Love is What You Want (London: Hayward Publishing, 2011), Pages 65 and 201.
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Links:
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Richard Estes, Sunrise, 1997
Oil on Canvas Mounted on Board, 14 1/4 x 20 in. (36.2 x 50.8 cm)
Richard Estes, Union Square Looking Northeast, 1993
Acrylic on Board, 9 x 16 1/4 in. (22.9 x 41.3 cm)
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Provenance:
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Marlborough Gallery, Inc.
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Exhibited:
|
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Boca Raton Museum of Art, Boca Raton. "Truth in Beauty/Beauty in Truth: Contemporary Realism from the Seavest Collection," November 11, 1999 - January 2, 2000.
|
|
Vero Beach Museum of Art, Vero Beach. “Beyond Reality: Hyperrealism and American Culture,” February 5 - May 13, 2012.
|
|
Bibliography:
|
|
Louis Meisel with Linda Chase, Photorealism at the Millenium (New York: Harry N. Abrams, Inc., 2002), Page 100; Plate 240
|
|
Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism: The Seavest Collection (Portland: Collector's Press, 2007), Page 111
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Links:
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Christopher Evans, Chrysler Building, Nocturne, 1993
Oil on Canvas, 40 x 22 in. (101.6 x 55.9 cm)
Artist Website:
Emily Eveleth, Truce, 2005
Oil on Canvas, 44 x 177 in. (111.8 x 449.6 cm)
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Provenance:
Danese Gallery
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Exhibitions:
|
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Neuberger Museum of Art, Purchase. "Transitional Objects: Contemporary Still Life,"
August 2006 - February 2007.
|
|
Bibliography:
|
|
Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism:
The Seavest Collection (2007; Portland: Collector's Press, ), Page 68
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|
Links:
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Kota Ezawa, National Anthem (San Francisco 49ers), 2019
Watercolor on Paper, 16 1/2 x 31 1/2 in. (41.9 x 80 cm)
Provence: Haines Gallery
Max Ferguson, Coffee, 2015
Oil on Panel, 27 x 27 in. (68.6 x 68.6 cm)
|
Website: |
| Max Ferguson |
| Exhibits: |
| Kunsthalle, Emden. "The American Dream: American Realism 1945 - 2016," November 2017 - May 2018 |
Eric Fischl, Untitled, 2006
Watercolor, 60 x 40 in. (152.4 x 101.6 cm)
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Provenance:
|
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Mary Boone Gallery
|
|
Bibliography:
|
|
Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism: The Seavest Collection (Portland: Collector's Press, 2007), Page 71
|
|
Links:
|
Eric Fischl, Untitled, 2005
Oil on Paper, 28 x 55 in. (71.1 x 139.7 cm)
|
Provenance:
Mary Boone Gallery
|
|
Bibliography:
|
|
Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism:
The Seavest Collection (2007; Portland: Collector's Press, ), Page 71
|
|
Links:
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Eric Fischl, Lapping Sounds Along the Shore, 1996-1997
Oil on Linen, 75 x 47 in. (190.5 x 119.4 cm)
|
Provenance:
|
|
Mary Boone Gallery
|
|
Exhibited:
Neuberger Museum of Art. "Living with Art: Collecting Contemporary in Metro New York," May 1 - August 14, 2010.
|
|
Bibliography:
|
|
Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism:
The Seavest Collection (Portland: Collector's Press, 2007), Page 70
|
|
Eric Fischl and A.M. Homes, Eric Fischl: Beach Paintings
(New York: Rizzoli International Publications, Inc., 2009), Page 143.
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Links:
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Janet Fish, Green Tea Cup, 1999
Oil on Canvas, 50 x 40 in. (127 x 101.6 cm)
b.'38, Boston; BFA/MFA Yale U Sch Art & Arch; studio artist, widely exhibited-solo/ group shows; rep in noted public / private collections; media - primary o/c, also w/c and pastel
Janet Fish, Geese in Flight, 1996
Oil on Canvas, 60 x 60 in. (152.4 x 152.4 cm)
|
Exhibitions:
|
|
Museum of Art, Ft. Lauderdale. "Janet Fish: Selected Works 1970's to 1990's,"
October 31 - January 17, 1999.
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|
Links:
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Janet Fish, Dog Days, 1993
Oil on Canvas, 46 x 80 in. (116.8 x 203.2 cm)
|
Provenance:
Grace Borgenicht Gallery, Inc.
|
|
Exhibitions:
|
|
Duke University Museum of Art, Durham. "Get Real: Contemporary American Realism from the Seavest Collection," April 4 - June 6, 1997.
|
|
Museum of Art, Ft. Lauderdale. "Janet Fish: Selected Works 1970's to 1990's,"
October 31 - January 17, 1999.
|
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Boca Raton Museum of Art, Boca Raton. "Truth in Beauty/Beauty in Truth: Contemporary Realism from the Seavest Collection," November 11, 1999 - January 2, 2000.
|
|
Neuberger Museum of Art, Purchase. "Facing Reality: Contemporary Realism from the Seavest Collection," September 14, 2003- February 14, 2004.
|
|
Bibliography:
|
|
Vincent Katz, Janet Fish Paintings (New York: Harry N. Abrams, Inc., 2002), Page 35
|
|
Virginia Anne Bonito, Get Real: Contemporary American Realism from the Seavest Collection (Durham, NC: Duke University Museum of Art, 1998), Page 51
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|
Links:
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(John Malloy) FLuX, Creation, 2022
Oil on Canvas, 48 x 32 in. (121.9 x 81.3 cm)
The first piece in a series titled, ‘Lightning in a Bottle’, focusing on the artist’s personal history dating back to the 1800s. FLuX combines classical realism in oils with avant garde graphic imagery to explore and the beauty and ugliness created back then that would forge our present and future.
Till Freiwald, Untitled, 2004
Watercolor on Paper, 90 x 60 in. (228.6 x 152.4 cm)
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Provenance:
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Jack Shainman Gallery
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Exhibitions:
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Vero Beach Museum of Art, Vero Beach. "Face Forward: American Portraits From Sargent to the Present," February 2, 2008 - May 25, 2008.
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Bibliography:
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Jennifer Bailey Forbes, Face Forward: American Portraits from Sargent to the Present
(Vero Beach: Vero Beach Museum of Art, 2008), Page 24.
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Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism: The Seavest
Collection (Portland: Collector's Press, 2007). Page 19
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Links:
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Karel Funk, Untitled #29, 2008
Acrylic on Panel, 43 1/2 x 42 in. (110.5 x 106.7 cm)
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Provenance:
303 Gallery
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Exhibited:
303 Gallery. "Karel Funk," April 17 - May 15, 2010.
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Links:
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Barnaby Furnas, Untitled (Iwo Jima), 2000
Watercolor on Paper, 11 x 8 3/4 in. (27.9 x 22.2 cm)
Tim Gardner, Untitled (Jim & Bhoadie on Mt. Temple), 2002
Watercolor on Paper, 8 3/4 x 6 in. (22.2 x 15.2 cm)
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Provenance:
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303 Gallery
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Bibliography:
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Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism: The Seavest Collection (Portland: Collector's Press, 2007). Page 25
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Links:
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Jerrell Gibbs, Studying God's Word, 2019
Oil on Canvas, 60 x 48 in. (152.4 x 121.9 cm)
Gregory Gillespie, Rick and Large Mandala, 1995 - 97
Oil and Alkyd on Board, 108 x 90 in. (274.3 x 228.6 cm)
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Provenance:
The Artist
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Exhibitions:
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Neuberger Museum of Art, Purchase. "Facing Reality: Contemporary Realism from the Seavest Collection," September 14, 2003- February 14, 2004.
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Bibliography:
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Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism: The Seavest Collection (Portland: Collector's Press, 2007), Page 79
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Links:
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Gregory Gillespie, Playing Hardball, 1994
Oil and Alkyd on Board, 14 x 41 1/2 in. (35.6 x 105.4 cm)
Gregory Gillespie, Untitled (Rick Seated), 1993
Mixed Media, 14 x 12 in. (35.6 x 30.5 cm)
Gregory Gillespie, Godmother Shrine, 1990
Oil and Alkyd on Board, 107 x 56 in. (271.8 x 142.2 cm)
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Provenance:
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Forum Gallery
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Exhibitions:
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Duke University Museum of Art, Durham. "Get Real: Contemporary American Realism from the Seavest Collection," April 4 - June 6, 1997.
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Boca Raton Museum of Art, Boca Raton. "Truth in Beauty/Beauty in Truth: Contemporary Realism from the Seavest Collection," November 11, 1999 - January 2, 2000.
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Bibliography:
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Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism: The Seavest Collection (Portland: Collector's Press, 2007), Page 78
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Virginia Anne Bonito, Get Real: Contemporary American Realism from the Seavest Collection (Durham, NC: Duke University Museum of Art, 1998), Page 55-61
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Links:
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Gregory Gillespie, Untitled (Portrait of Rick)
Oil on Wood, 18 x 15 in. (45.7 x 38.1 cm)
Gregory Gillespie, Untitled (Rick Leaning on Chair)
Mixed Media, 14 x 13 in. (35.6 x 33 cm)
Robert Gniewek, Cheyenne Diner, 2015
Oil on Linen, 22 x 38 in. (55.9 x 96.5 cm)
Provence: Louis K. Meisel Gallery
Robert Gniewek, Rosie's Diner #7, 2004
Oil on Linen, 30 x 40 in. (76.2 x 101.6 cm)
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Provenance:
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Louis K. Meisel Gallery
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Exhibitions:
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Boca Raton Museum of Art, Boca Raton. "Shock of the Real," December 16, 2008 - March 8, 2009.
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Bibliography:
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Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism: The Seavest Collection (Portland: Collector's Press, 2007), Page 81
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Links:
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Ralph Goings, Sugar, 1993
Watercolor on Paper, 11 1/2 x 16 1/4 in. (29.2 x 41.3 cm)
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Provenance:
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Jason McCoy Inc.
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Bibliography:
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Louis Meisel with Linda Chase, Photorealism at the Millenium (New York: Harry N. Abrams, Inc., 2002), Page 135; Plate 348
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Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism: The Seavest Collection (Portland: Collector's Press, 2007), Page 83
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Links:
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Wayne Gonzales, Untitled 2012, 2012
Gouache on Arches Watercolour Hot Press Paper, 30 1/2 x 22 3/4 in. (77.5 x 57.8 cm)
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Provenance:
Stephen Friedman Gallery
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Links:
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Wayne Gonzales, Untitled (Colin Powell), 2004
Acrylic and Graphite on Paper, 20 3/4 x 17 in. (52.7 x 43.2 cm)
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Provenance:
Paula Cooper Gallery
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Links:
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Wayne Gonzales, Untitled (Condoleezza Rice), 2004
Acrylic and Graphite on Paper, 22 1/2 x 16 in. (57.1 x 40.6 cm)
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Provenance:
Paula Cooper Gallery
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Links:
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Wayne Gonzales, Untitled (Donald Rumsfeld), 2004
Acrylic and Graphite on Paper, 22 x 16 1/2 in. (55.9 x 41.9 cm)
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Provenance:
Paula Cooper Gallery
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Links:
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Wayne Gonzales, Untitled (George Bush), 2004
Acrylic and Graphite on Paper, 19 1/2 x 17 1/2 in. (49.5 x 44.5 cm)
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Provenance:
Paula Cooper Gallery
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Links:
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Wayne Gonzales, Untitled (John Ashcroft), 2004
Acrylic and Graphite on Paper, 20 x 17 in. (50.8 x 43.2 cm)
Wayne Gonzales, Untitled (Karl Rove), 2004
Acrylic and Graphite on Paper, 16 x 20 in. (40.6 x 50.8 cm)
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Provenance:
Paula Cooper Gallery
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Links:
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Wayne Gonzales, Untitled (Paul Wolfowitz), 2004
Acrylic and Graphite on Paper, 21 x 17 in. (53.3 x 43.2 cm)
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Provenance:
Paula Cooper Gallery
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Exhibited:
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New Orleans Museum of Art, New Orleans. “Wayne Gonzales: Light to Dark/Dark to Light,” October 6, 2011 - February 26, 2012.
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Links:
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Wayne Gonzales, Untitled (Tony Blair), 2004
Acrylic and Graphite on Paper, 19 x 16 in. (48.3 x 40.6 cm)
Juan Gonzalez, Memory Piece, 1990
Oil on Wood and Silk Mounted on Honeycomb Panel, 43 x 34 in. (109.2 x 86.4 cm)
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Provenance:
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Nancy Hoffman Gallery
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Sidney and George Perutz
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Exhibitions:
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Neuberger Museum of Art, Purchase. "Facing Reality: Contemporary Realism from the Seavest Collection," September 14, 2003- February 14, 2004.
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Bibliography:
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Irene McManus, Dreamscapes: The Art of Juan Gonzalez (New York: Hudson Hills Press, 1994), Page 154-155
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Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism: The Seavest Collection (Portland: Collector's Press, 2007), Page 87
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Links:
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Juan Gonzalez, Rembrandt's Hands, Vermeer's Frame..., 1990
Mixed Media, 33 x 29 in. (83.8 x 73.7 cm)
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Provenance:
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Muriel Karasik Collection
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Nancy Hoffman Gallery
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Bibliography:
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Irene McManus, Dreamscapes: The Art of Juan Gonzalez (New York: Hudson Hills Press, 1994), Page 158-59
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Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism: The Seavest Collection (Portland: Collector's Press, 2007), Page 86
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Links:
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Juan Gonzalez, Still Life in Red for Manuel, 1987
Watercolor, Gouache and Graphite on Paper, 23 1/2 x 16 in. (59.7 x 40.6 cm)
b. Cuba '42; died '93; MFA U of Miami; teacher and studio artist; produced highly technically and aesthetically refined works in mixed media
Juan Gonzalez, New York, Year 1986, 1986
Watercolor and Goache on Paper, 49 x 29 x 3 in. (124.5 x 73.7 x 7.6 cm)
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Provenance:
Nancy Hoffman Gallery
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Exhibitions:
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Duke University Museum of Art, Durham. "Get Real: Contemporary American Realism from the Seavest Collection," April 4 - June 6, 1997.
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Boca Raton Museum of Art, Boca Raton. "Truth in Beauty/Beauty in Truth: Contemporary Realism from the Seavest Collection," November 11, 1999 - January 2, 2000.
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Bibliography:
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Irene McManus, Dreamscapes: The Art of Juan Gonzalez (New York: Hudson Hills Press, 1994), Pages 120-121
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Virginia Anne Bonito, Get Real: Contemporary American Realism from the Seavest Collection (Durham, NC: Duke University Museum of Art, 1998), Page 68
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Links:
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Daniel Greene, Escalator - South Ferry, 1992 (Subway Series), 1992
Oil on Wood, 60 x 40 in. (152.4 x 101.6 cm)
Alonsa Guevara, Andrea's Ceremony, 2018
Oil on Canvas, 80 x 32 in. (203.2 x 81.3 cm)
Ivy Haldeman, Two Fingers Touch, Legs Fold,, 2022
Acrylic on Canvas, 83 3/4 x 57 3/4 in. (212.7 x 146.7 cm)
Anna Halldin-Maule, Emelie (Title to be determined), 2023
Oil on Canvas, 72 x 48 in. (182.9 x 121.9 cm)
Al Hansen, AT&T Venus (Blue), 1994
Newspaper, Collage, 16 3/4 x 13 3/4 in. (42.5 x 34.9 cm)
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Provenance:
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Andrea Rosen Gallery
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Bibliography:
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Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism: The Seavest Collection (Portland: Collector's Press, 2007), Page 145
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Links:
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Al Hansen, AT&T Venus (Orange), 1994
Newspaper, Collage, 16 3/4 x 13 3/4 in. (42.5 x 34.9 cm)
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Provenance:
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Andrea Rosen Gallery
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Bibliography:
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Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism: The Seavest Collection (Portland: Collector's Press, 2007), Page 145
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Links:
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Al Hansen, Happy Birthday Joan with Love (or whatever that is), 1972
Hershey Wrappers on Wood, 6 x 5 1/2 in. (15.2 x 14 cm)
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Provenance:
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Andrea Rosen Gallery
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Bibliography:
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Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism: The Seavest Collection (Portland: Collector's Press, 2007), Page 144
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Links:
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Hilary Harkness, Experienced People Needed, 2018
Oil on Linen over Panel, 14 x 22 1/2 in. (35.6 x 57.1 cm)
Note from Hilary Harkness: It's November 8th, 1943 at Peggy Guggenheim's Art of This Century gallery in New York City. Final preparations are being made for the opening of Jackson Pollock's show the following day. Art handlers are forced to wait while Lee Krasner, who has set her career aside to paint for Jackson while he drinks, finishes "The Moon Woman." Meanwhile, Jackson experiences the advent of his drip paintings and Peggy cuts a deal while stitching shut the dress of her daughter Pegeen (age 18). Pegeen is wearing Meret Oppenheim's "Fur Gloves with Wooden Fingers." It was a tense mother-daughter relationship as they competed for men. I included artists and artworks from this time period that weren't included or made famous by Peggy Guggenheim. Behind Jackson stands Jacob Lawrence. Though already famous for his Great Migration series, Lawrence was drafted into the U.S. Coast Guard only a few weeks prior to Jackson's show (Jackson had dodged military service by acting mentally unstable). Bill Traylor, virtually unknown in 1943, pedals his work in the elevator. The anonymous art handlers' sex acts were inspired by early works of Tom of Finland and other vintage porn.Lee Krasner is depicted as black for many reasons, including that my wife Ara modeled for this figure. She is my favorite model. Within the fantastical universe of my paintings, her skin tone remains accurate.
| Provence: |
| Mary Boone Gallery |
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Artist Websites: |
Hilary Harkness, Untitled (Fiat and Camel), 2018
Oil on Canvas
Hilary Harkness, Night at the Steins: Josephine with 'Two Tahitian Women', 2016
Oil on Panel, 9 x 11 1/2 in. (22.9 x 29.2 cm)
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Provence: Mary Boone Gallery Links: |
| Mary Boone Gallery |
| Hilary Harkness Website |
Hilary Harkness, Blue Nude, 2014
Oil/Linen on Panel, 7 1/2 x 10 3/4 in. (19.1 x 27.3 cm)
Exhibited:
Bruce Museum. Her Crowd: New Art by Women from Our Neighbors' Private Collections, September 24, 2016 - January 2, 2017
https://brucemuseum.org/
Hilary Harkness, Air Raid, 2005
Graphite and Watercolor on Paper, 10 1/2 x 10 1/2 in. (26.7 x 26.7 cm)
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Provenance:
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Mary Boone Gallery
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Bibliography:
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Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism:
The Seavest Collection (Portland: Collector's Press, 2007), Page 92
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Links:
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Hilary Harkness, Crossing the Equator, 2003
Oil on Linen, 31 x 28 in. (78.7 x 71.1 cm)
| Provenance: Mary Boone Gallery |
| Exhibitions: The FLAG Art Foundation. "Hilary Harkness," January 18, 2013 - May 24, 2013. |
| Links: |
| Mary Boone Gallery |
| Hilary Harkness Artist’s Web Site |
Hilary Harkness, Iowa Class, 2003
Oil on Linen, 14 x 22 in. (35.6 x 55.9 cm)
Marcus Harvey, After Edward Hopper, 2005
Oil and Eggshell on Two Panels, 70 x 180 in. (177.8 x 457.2 cm)
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Provenance:
Galleria Marabini
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Links:
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Marcus Harvey, Soldier and Girl, 2002
Oil and Eggshell on Two Panels, 96 x 72 in. (243.8 x 182.9 cm)
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Provenance:
White Cube
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Bibliography:
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Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism: The Seavest Collection (2007; Portland: Collector's Press, ), Page 97
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Links:
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Gus Heinze, Window Shopping, 2006
Acrylic on Gessoed Panel, 26 x 28 1/2 in. (66 x 72.4 cm)
Gus Heinze, Fanelli Cafe, 2000
Acrylic on Gessoed Panel, 36 x 40 in. (91.4 x 101.6 cm)
Barkley Hendricks, Triple Portrait: World Conqueror, 2011
Oil, Aluminum Leaf, Variegation Leaf and Combination Gold Leaf on Cotton Canvas, 60 x 40 in. (152.4 x 101.6 cm)
| Provenance: |
| Jack Shainman Gallery |
| Exhibitions: |
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Prospect 4: The Lotus in Spite of the Swamp, November 18, 2017 - February 25, 2018
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| Links: |
| Barkley Hendricks Artist’s Web Site |
| Jack Shainman Gallery |
| ACA Galleries |
Barkley Hendricks, Vendetta (Bitch), 1978
Oil and Collage on Canvas, 36 x 48 in. (91.4 x 121.9 cm)
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Provenance:
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ACA Galleries
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Exhibitions:
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Nasher Museum of Art at Duke University, Durham. "Barkley L. Hendricks: Birth of the Cool," February 7, 2008 - July 13, 2008,
Santa Monica Museum of Art May 9, 2009 - August 15, 2009 (NOT INCLUDED IN THIS VENUE)
Pennsylvania Academy of the Fine Arts October 17, 2009 - January 3, 2010 Contemporary Arts Museum, Houston, Texas January 30, 2010 - April 18, 2010 |
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Bibliography:
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Trevor Schoonmaker, Richard Powell, Thelma Golden, Franklin Sirmans, Barkley Hendricks, Birth of the Cool: Barkley L. Hendricks, Trevor Schoonmaker (Durham: Nasher Museum of Art at Duke University, 2008), Pages 38, 39, 85, 127.
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Links:
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Anton Henning, Pin-Up No.157, 2010
Oil on Canvas in Artist Frame, 46 1/2 x 66 7/8 in. (118 x 170 cm)
Curt Hoppe, Hot, 2006
Oil on Canvas, 37 x 49 in. (94 x 124.5 cm)
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Provenance:
The Artist
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Links:
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Curt Hoppe, A Family Eats Breakfast, 2005
Oil on Canvas, 56 x 64 in. (142.2 x 162.6 cm)
Provenance:
The Artist
Curt Hoppe, Sun Bather with Glamour Magazine, 1983-84
Oil on Canvas, 42 x 35 in. (106.7 x 88.9 cm)
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Provenance:
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Virginia Anne Bonito Fine Arts, Inc.
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Exhibitions:
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Duke University Museum of Art, Durham. "Get Real: Contemporary American Realism from the Seavest Collection," 4 April-6 June 1997.
|
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Neuberger Museum of Art, Purchase. "Facing Reality: Contemporary Realism from the Seavest Collection," September 14, 2003- February 14, 2004.
|
|
Bibliography:
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Virginia Anne Bonito, Get Real: Contemporary American Realism from the Seavest Collection (Durham, NC: Duke University Museum of Art, 1998), Page 83
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Links:
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Ridley Howard, Nude after Vallotton 1, Blue Room,, 2021
Oil on Linen, 9 x 12 in. (22.9 x 30.5 cm)
Ridley Howard, Violet Light, 2020
Oil on Canvas, 9 x 12 in. (22.9 x 30.5 cm)
Monica Ikegwu, Brandee, 2021
Oil on Canvas, 48 x 36 in. (121.9 x 91.4 cm)
Monica Ikegwu, Sharayna, 2020
Oil on Canvas, 48 x 36 in. (121.9 x 91.4 cm)
Don Jacot, Pay Phones, 1995
Oil on Linen, 24 x 36 in. (61 x 91.4 cm)
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Provenance:
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Louis K. Meisel Gallery
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Exhibitions:
|
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Kunsthalle Tübingen (Arts Center of Tübingen), Tübingen, Germany AND Thyssen-Bornemisza Museum, Madrid, Spain. “Photorealism (a traveling European exhibition curated by The Institute for Cultural Exchange in Germany),” at Kunsthalle Tübingen from December 8, 2012 – March 10, 2013 and at Thyssen-Bornemisza Museum April 8 – June 30, 2013.
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Boca Raton Museum of Art, Boca Raton. "Shock of the Real," December 16, 2008 - March 8, 2009.
|
|
Bibliography:
|
|
Louis Meisel with Linda Chase, Photorealism at the Millenium (New York: Harry N. Abrams, Inc., 2002), Page 152; Plate 409
|
|
Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism: The Seavest Collection (Portland: Collector's Press, 2007), Page 76
|
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Vero Beach Museum of Art, Vero Beach. “Beyond Reality: Hyperrealism and American Culture,” February 5 - May 13, 2012.
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Links:
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Don Jacot, Katz's Delicatessen, 1993
Gouache on Board, 6 1/4 x 9 in. (15.9 x 22.9 cm)
Don Jacot, Street Corner, Soho N.Y. 91, 1993
Gouache on Board, 8 x 15 3/4 in. (20.3 x 40 cm)
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Provenance:
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Louis K. Meisel Gallery
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Exhibitions:
|
|
Duke University Museum of Art, Durham. "Get Real: Contemporary American Realism from the Seavest Collection," April 4 - June 6, 1997.
|
|
Boca Raton Museum of Art, Boca Raton. "Truth in Beauty/Beauty in Truth: Contemporary Realism from the Seavest Collection," November 11, 1999 - January 2, 2000.
|
|
Bibliography:
|
|
Virginia Anne Bonito, Get Real: Contemporary American Realism from the Seavest Collection (Durham, NC: Duke University Museum of Art, 1998), Page 87
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Links:
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Don Jacot, Grand Central, 1991
Gouache on Board, 8 x 16 in. (20.3 x 40.6 cm)
Neil Jenney, Wet And Drying, 1969-1970
Acrylic on Canvas, 35 1/4 x 74 1/4 in. (89.5 x 188.6 cm)
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Provenance:
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Kent Gallery
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Private Collection, Pennsylvanie
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Barbara Mathes Gallery
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Exhibitions:
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Neuberger Museum of Art, Purchase. "Facing Reality: Contemporary Realism from the Seavest Collection," September 14, 2003- February 14, 2004.
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Bruce Museum, The , Greenwich. "Contemporary + Cutting Edge: Pleasures of Collecting, Part III," September 29, 2007 - January 6, 2008.
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Bibliography:
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Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism: The Seavest Collection (Portland: Collector's Press, 2007), Page 98
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Links:
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Alex Katz, Amanda, 1973
Oil on Canvas, 34 x 48 in. (86.4 x 121.9 cm)
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Provenance:
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Hirschl & Adler Galleries
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Exhibitions:
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Neuberger Museum of Art, Purchase. "Harrison Celebrates Art," June 30 - September 22, 1996.
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Neuberger Museum of Art, Purchase. "Facing Reality: Contemporary Realism from the Seavest Collection," September 14, 2003- February 14, 2004.
|
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Bibliography:
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|
Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism: The Seavest Collection (Portland: Collector's Press, 2007), Page 55
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Links:
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Alex Katz, Amanda I, 1973
Pencil on Paper, 14 x 20 in. (35.6 x 50.8 cm)
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Provenance:
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Hirschl & Adler Galleries
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Exhibitions:
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Neuberger Museum of Art, Purchase. "Harrison Celebrates Art," June 30 - September 22, 1996.
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Bibliography:
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Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism: The Seavest Collection (Portland: Collector's Press, 2007), Page 55
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Links:
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Ron Kleemann, Boopsy, 1993
Acrylic on Board, 18 x 10 in. (45.7 x 25.4 cm)
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Provenance:
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Louis K. Meisel Gallery
|
|
Bibliography:
|
|
Louis Meisel with Linda Chase, Photorealism at the Millenium, (New York: Harry N. Abrams, Inc., 2002), Page 162; Plate 457
|
|
Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism: The Seavest Collection, (Portland: Collector's Press, 2007), Page 100
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Links:
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Ron Kleemann, Bugsy, 1992
Acrylic on Board, 16 x 10 1/2 in. (40.6 x 26.7 cm)
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Provenance:
Louis K. Meisel Gallery
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Exhibitions:
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Duke University Museum of Art, Durham. "Get Real: Contemporary American Realism from the Seavest Collection," April 4 -June 6, 1997.
|
|
Boca Raton Museum of Art, Boca Raton. "Truth in Beauty/Beauty in Truth: Contemporary Realism from the Seavest Collection," November 11, 1999 - January 2, 2000.
|
|
Bibliography:
|
|
Louis Meisel with Linda Chase, Photorealism at the Millenium (New York: Harry N. Abrams, Inc., 2002), Page 162; Plate 456
|
|
Virginia Anne Bonito, Get Real: Contemporary American Realism from the Seavest Collection (Durham, NC: Duke University Museum of Art, 1998), Page 89
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Links:
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Joyce Kozloff, The Spanish Were Here (Havana, Cholula, Quito), 1994-95
Mixed Media and Collage on Paper and Wood, 29 1/8 x 75 3/4 in. (74 x 192.4 cm)
b.'42 Somerville, NJ; BFA Carnegie Inst. of Tech; MFA Columbia U; studio artist, primary media collage, wc, pntg; rep in disting museums, priv & public collections
Joyce Kozloff, Inside the Amber Place (or the Pasha Peeks), (#7 Patterns of Desire "Pornament is Crime"), 1989-1990
Watercolor on Paper, 22 x 22 in. (55.9 x 55.9 cm)
b.'42 Somerville, NJ; BFA Carnegie Inst. of Tech;MFA Columbia U;studio artist, primary media collage, wc, pntg; rep in disting museums, priv & public collections
Joyce Kozloff, Last Laconic Lament (#27 Patterns of Desire "" Pornament is Crime""), 1988
Watercolor on Paper, 22 x 22 in. (55.9 x 55.9 cm)
b.'42 Somerville, NJ; BFA Carnegie Inst. of Tech;MFA Columbia U;studio artist, primary media collage, wc, pntg; rep in disting museums, priv & public collections
Joyce Kozloff, Fallen (From High Art to Kitsch) (#31 Patterns of Desire "Pornament is a Crime"), 1987-1989
Watercolor on Paper, 22 x 22 in. (55.9 x 55.9 cm)
b.'42 Sommerville, NJ; BFA Carnegie Inst. of Tech;MFA Columbia U;studio artist, primary media collage, wc, pntg; rep in disting museums, priv & public collections
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Bibliography:
|
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Joyce Kozloff (Introduction by Linda Nochlin), Patterns of Desire (New York: Hudson Hills Press, 1990), Page 84-85
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Links:
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Joyce Kozloff, Big Boys: Palladio, Veronese, Picasso et al. (#15 Patterns of Desire "Pornament is Crime"), 1987
Watercolor on Paper, 22 x 22 in. (55.9 x 55.9 cm)
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Bibliography:
|
|
Joyce Kozloff (Introduction by Linda Nochlin), Patterns of Desire (New York: Hudson Hills Press, 1990), Page 52-53
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Links:
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Robert Kushner, Model and Painting, 1984
Acrylic and Wallpaper Collage on Paper, 59 in. (149.9 cm)
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Provenance:
|
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Holly Solomon Gallery
|
|
Bibliography:
|
|
Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism: The Seavest Collection, (Portland: Collector's Press, 2007). Page 121
|
|
Links:
|
Robert Kushner, Resting Runner, 1984
Acrylic and Wallpaper Collage on Paper, 24 1/4 x 67 1/2 in. (61.6 x 171.5 cm)
b. 1949 Pasadena CA; lives NYC; was performance artist used elaborate costume; travel to Near East; works mixed media into collage/painting
Elad Lassry, Joanne and Trace, No Distractions, B2, 2007
Silkscreen Ink on Printed Paper in Artist's Frame, 13 1/2 x 21 1/4 in. (34.3 x 54 cm)
Natasha Law, Pink Zip, 2013
Ink and Gloss Paint on Paper, 12 x 8 in. (30.5 x 20.3 cm)
Five Separate Works- Each 12 x 8 Inches
| Provence: |
| Eleven Fine Art |
| Website: |
Damian Loeb, I'm Getting to you... (very slowly), 2002
Oil on Linen, 42 x 72 in. (106.7 x 182.9 cm)
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Provenance:
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Mary Boone Gallery
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Exhibited:
Neuberger Museum of Art. "Living with Art: Collecting Contemporary in Metro New York," May 1 - August 14, 2010.
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Bibliography:
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Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism: The Seavest Collection (Portland: Collector's Press, 2007), Page 105
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Links:
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Damian Loeb, Blowjob (Three Little Boys), 1999
Oil on Linen, 50 3/8 x 76 in. (128 x 193 cm)
Robert Longo, Untitled, (from Men in the City series), 1982
Charcoal, Graphite & Ink on Paper, 96 x 48 in. (243.8 x 121.9 cm)
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Provenance:
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Gerald S. Eliot Collection
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Exhibited:
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Los Angeles County Museum of Art, Los Angeles. "Robert Longo," 1990,
Traveled to:
Chicago Museum of Contemporary Art Wadsworth Athenaeum- Hartford CT. |
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Art Institute of Chicago, The, Chicago. "Affinities and Intuitions: The Gerald S. Elliott Collection of Contemporary Art," May 12 - July 29, 1990.
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Duke University Museum of Art, Durham. "Get Real: Contemporary American Realism
from the Seavest Collection," April 4 - June 6, 1997.
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Neuberger Museum of Art, Purchase. "Facing Reality: Contemporary Realism
from the Seavest Collection," September 14, 2003- February 14, 2004.
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Bibliography:
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Richard Price, Robert Longo: Men in the Cities
(New York: Harry N. Abrams, Inc., 1986), Page 106
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Affinities and Institutions: The Gerald S. Elliot Collection of Contemporary Art.
(New York, Thames and Hudson, Inc. and The Art Institute of Chicago,1990.)
Page 130, Plate 78
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Virginia Anne Bonito, Get Real: Contemporary American Realism from the Seavest Collection (Durham, NC: Duke University Museum of Art, 1998), Page 91
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Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism:
The Seavest Collection (Portland: Collector's Press, 2007), Page 117
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Cindy Sherman and Richard Price, Robert Longo: Men in the Cities
Photographs 1976-1982 (Munich: Schrimer/Mosel, 2009), Page 11.
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Links:
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Alan Magee, Emblem, 2000
Acrylic on Panel, 30 x 30 in. (76.2 x 76.2 cm)
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Provenance:
Forum Gallery
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Exhibitions:
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American Academy of Arts and Letters, New York. "Invitational Exhibition of Painting and Sculpture," March 7, 2005 - April 20, 2005.
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Katonah Museum of art, Katonah. "Here's The Thing: The Single Object Still Life," 3/30/2008 - 6/29/08.
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Bibliography:
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Alan Magee, Jonathan Weiner, Alam Magee: Paintings, Sculpture, Graphics ( New York: Forum Gallery, 2003 ) , Page 224, Page 112
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Links:
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Alan Magee, Strettofuge, 1986
Acrylic on Canvas, 72 x 108 in. (182.9 x 274.3 cm)
Alan Magee, Braid, 1980
Colored Pencil on Paper, 22 3/4 x 29 in. (57.8 x 73.7 cm)
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Provenance:
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Staempfli Gallery Inc
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Bibliography:
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Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism: The Seavest Collection (Portland: Collector's Press, 2007), Page 107
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Links:
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Kim McCarty, PO July 2010, 2010
Watercolor on Arches Paper, 70 x 45 in. (177.8 x 114.3 cm)
Gisela McDaniel, CHelon Tiha, 2021
Oil on Canvas, Found Object, Teeth, Jewellery from Subject-collaborators, Sound, 55 x 45 x 7 in. (139.7 x 114.3 x 17.8 cm)
Jack Mendenhall, Kapalua, 1995
Oil on Canvas, 48 1/4 x 72 in. (122.6 x 182.9 cm)
Bertrand Meniel, Albion Hotel, 2000
Acrylic on Linen, 49 1/4 x 71 in. (125.1 x 180.3 cm)
Marilyn Minter, Ruby Slippers, 2006
Enamel on Metal, 35 7/8 x 48 in. (91 x 122 cm)
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Provenance:
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Andrehn-Schiptjenko
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Exhibited:
Neuberger Museum of Art. "Living with Art: Collecting Contemporary in Metro New York," May 1 - August 14, 2010.
|
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Bibliography:
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"Marilyn Minter," Parkett 79 (May 2007).
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Johanna Burtoun, Marilyn Minter (New York: Gregory R. Miller & Co., 2007), P. 107 (detail page 5).
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Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism: The Seavest Collection (Portland: Collector's Press, 2007), Page 110
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Links:
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Alyssa Monks, Shapeshifter, 2019
Oil on Linen, 62 x 90 in. (157.5 x 228.6 cm)
Alyssa Monks, Untitled (Drawing Weekend), 2019
Charcoal on Paper, 28 x 18 in. (71.1 x 45.7 cm)
Alyssa Monks, Awakened, 2016
Oil on Linen, 66 x 56 in. (167.6 x 142.2 cm)
| Provence: |
| Forum Gallery |
| Websites: |
| Forum Gallery |
| Alyssa Monks Artist's Website |
Alyssa Monks, Cope II, 2015
Oil on Panel, 11 x 16 in. (27.9 x 40.6 cm)
Purchased in Support of Book Publication
| Artist Website: |
| Alyssa Monks |
Alyssa Monks, Blind, 2012
Oil on Linen, 8 x 12 in. (20.3 x 30.5 cm)
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Provenance:
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Sarah Bain Gallery
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Links:
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Alyssa Monks, Disconnected, 2012
Oil on Panel, 10 x 16 in. (25.4 x 40.6 cm)
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Provenance:
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The Artist
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Links:
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Alyssa Monks, Evolve (Study), 2012
Oil on Linen, 11 x 16 in. (27.9 x 40.6 cm)
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Provenance:
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Sarah Bain Gallery
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Links:
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Alyssa Monks, Open (Study), 2012
Oil on Linen, 11 x 16 in. (27.9 x 40.6 cm)
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Provenance:
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Sarah Bain Gallery
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Links:
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Alyssa Monks, Flirt, 2008
Oil on Linen, 50 x 38 in. (127 x 96.5 cm)
John Moore, Embassy, 1993
Oil on Canvas, 24 x 24 in. (61 x 61 cm)
John Moore, Outbound, 1991-92
Oil on Canvas, 72 x 80 in. (182.9 x 203.2 cm)
John Moore, Study for Weehawken, 1987
Oil on Board, 26 1/4 x 23 3/4 in. (66.7 x 60.3 cm)
Malcolm Morley, Hiding Behind History, 1999
Oil on Linen, 88 x 56 in. (223.5 x 142.2 cm)
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Provenance:
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Xavier Hufkins
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Exhibitions:
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Neuberger Museum of Art, Purchase. "Facing Reality: Contemporary Realism from the Seavest Collection," September 14, 2003- February 14, 2004.
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Bibliography:
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Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism: The Seavest Collection (Portland: Collector's Press, 2007), Page 123
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Links:
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Malcolm Morley, Pictures from the Azores, 1994
Mixed Media: Oil on Canvas with Painted Model Plane, 29 x 35 x 14 in. (73.7 x 88.9 x 35.6 cm)
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Exhibitions:
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Parrish Art Museum, Southampton, NY. “Malcolm Morley: On Paper,” November 3, 2012 – January 13, 2013
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Bibliography:
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Jean-Claude Lebensztejn, Malcolm Morley: Itineraries (London: Reaktion Books, Ltd., 2001), Page 184; Plate 182
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Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism: The Seavest Collection (Portland: Collector's Press, 2007), Page 122
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Links:
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Malcolm Morley, Icarus, 1993
Oil on Linen with Toy Airplanes (one rotating) and Boat, 80 x 110 x 22 in. (203.2 x 279.4 x 55.9 cm)
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Exhibitions:
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Parrish Art Museum, Southampton, NY. “Malcolm Morley: On Paper,” November 3, 2012 – January 13, 2013.
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Centre Pompidou, Paris. "Malcolm Morley," June - September, 1993, Illustrated in exhibition catalouge, p. 178, Illustrated page 139
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Bibliography:
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E. Juncosa, "Malcolm Morley or Painting as an Adventure," Parkett no. 52, 1998, Illustrated pp. 70-71
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Jean-Claude Lebenszejn, Malcolm Morely: Itineraries (London: Reaktion Books, Ltd., 2001), p.178 (illustrated)
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Links:
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Malcolm Morley, Miramar Hotel/Hotel, 1974
Watercolor on Paper, 30 x 24 in. (76.2 x 61 cm)
Mr. (Masukatu Iwamoto), Untitled, 2008
Watercolor and Pencil on Paper, 14 7/8 x 11 in. (37.9 x 27.8 cm)
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Provenance:
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Lehman Maupin
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Links:
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Takashi Murakami, Portrait and DOB Sky, 2015
Acrylic on Canvas, 39 5/16 x 39 5/16 in. (100 x 100 cm)
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Provence: |
| Galerie Perrotin |
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Website: |
| Galerie Perrotin - Takashi Murakami |
Alice Neel, Portrait of Ben Medary, 1930
Oil on Canvas, 30 x 25 1/8 in. (76.2 x 63.8 cm)
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Exhibitions:
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Neuberger Museum of Art, Purchase. "Facing Reality: Contemporary Realism from the Seavest Collection," September 14, 2003- February 14, 2004.
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Bibliography:
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Gerald L. Belcher and Margaret L. Belcher, Collecting Souls, Gathering Dust: The Struggles of Two American Artists- Alice Neel and Rhoda Medary (New York: Paragon House, 1991) , Page 132.
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Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism: The Seavest Collection (Portland: Collector's Press, 2007), Page 124
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Links:
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Arcmanoro Niles, Living With A Broken Heart Made It Difficult When I Was Young And Bullet Proof (It's Easier To Miss You Than It Is To Let You Down)
, 2022
Oil, Acrylic, Glitter on Canvas, 77 x 59 x 1 1/2 in. (195.6 x 149.9 x 3.8 cm)
Portrait of the Artist's Father
Paulina Olowska, Temida, 2019
Oil on Canvas, 86 5/8 x 55 1/8 x 1 in. (220 x 140 x 2.5 cm)
Temida is an Ancient Greek Titaness. She is the personification of divine law and order, fairness, law, natural law, and custom. Her symbols are the Scales of Justice, tools used to remain balanced and pragmatic. Olowska depicts Temida classically, she stands holding her scale, staring out blindly at the viewer as she flashes a smile. The image was sourced from Jardin des Modes, a French women’s fashion magazine published monthly in France from 1922 - 97.
Julian Opie, Lily, 2011
Unique Mosaic with Stone Tile, 59 1/2 x 45 1/4 in. (151.1 x 114.9 cm)
| Provence: |
| David Benrimon Fine Art | Gallery Link |
| Artist Website: |
| Julian Opie |
Robert Overby, If Only (01.07.89), 1989
Watercolor and Ballpoint Ink on Paper, 6 3/8 x 5 1/2 in. (16.2 x 14 cm)
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Provenance:
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Fredericks & Freiser Gallery
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Bibliography:
|
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Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism: The Seavest Collection (Portland: Collector's Press, 2007), Page 131
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Links:
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Yigal Ozeri, Untitled (Zuzanna), 2012
Oil on Canvas, 23 1/10 x 30 in. (58.7 x 76.2 cm)
Richard Patterson, Christina with Dutch Door, 2015
Oil on Canvas, 12 x 10 in. (30.5 x 25.4 cm)
| Provence: |
| Timothy Taylor Gallery |
|
Website: |
Richard Patterson, Aphrodite, 2009
Collage on Aluminum with a Maple Bench, 8 5/8 x 16 3/8 x 4 5/8 in. (21.9 x 41.6 x 11.8 cm)
Richard Patterson, Girl in Blue Bikini, 2006
Oil on Canvas, 10 x 10 in. (25.4 x 25.4 cm)
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Provenance:
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Timothy Taylor Gallery
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Exhibited:
Neuberger Museum of Art. "Living with Art: Collecting Contemporary in Metro New York," May 1 - August 14, 2010.
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Links:
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Philip Pearlstein, Two Nudes w Horse Weathervanes & Punch, 1988
Oil on Canvas, 72 x 72 in. (182.9 x 182.9 cm)
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Provenance:
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Hirschl & Adler Galleries
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Exhibitions:
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Duke University Museum of Art, Durham. "Get Real: Contemporary American Realism from the Seavest Collection," April 4 - June 6, 1997.
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Neuberger Museum of Art, Purchase. "Facing Reality: Contemporary Realism from the Seavest Collection," September 14, 2003- February 14, 2004.
|
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Bibliography:
|
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Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism: The Seavest Collection (Portland: Collector's Press, 2007), Page 109
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Robert Storr, Philip Pearlstein Since 1983 (New York: Harry N. Abrams, Inc., 2002), Page 51
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Virginia Anne Bonito, Get Real: Contemporary American Realism from the Seavest Collection (Durham, NC: Duke University Museum of Art, 1998), Pages 95-7
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Links:
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Philip Pearlstein, Models with Wooden Mannequin, 1987
Oil on Canvas, 60 x 72 in. (152.4 x 182.9 cm)
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Exhibitions:
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Neuberger Museum of Art, Purchase. "Crossing State Lines: 20th Century Art from Private Collections in Westchester and Fairfield Counties," 26 March - 18 June, 1995.
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Kalamazoo Institute Of Arts, Kalamazoo. "The Figure Revealed: Contemporary American Figurative Paintings and Drawings," May 3 - June 29 2008.
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Bibliography:
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James A. Bridenstine, The Figure Revealed: Contemporary American Figurative Paintings and Drawings (Kalamazoo: Kalamazoo Institue of Arts, 2008).
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Links:
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Richard Phillips, The Fire, 2012
Oil on Canvas, 60 x 97 3/8 in. (152.4 x 247.3 cm)
Richard Phillips, SUMKA, 2008
Oil on Canvas, 79 x 52 1/2 in. (200.7 x 133.4 cm)
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Provenance:
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Gagosian Gallery
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Bibliography:
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Richard Phillips, John Good (2009; New York: Gagosian Gallery, ), Page 28.
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Links:
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Richard Phillips, Pre-Banality, 2006
Charcoal on Paper, 22 5/15 x 13 11/16 in. (56.7 x 34.8 cm)
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Provenance:
Gagosian Gallery
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Links:
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Richard Phillips, Sissel, 2002
Oil on Linen, 36 x 27 1/4 in. (91.4 x 69.2 cm)
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Provenance:
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Friedrich Petzel Gallery
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Exhibitions:
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Cornell Fine Arts Museum, Winter Park. "Eye to Eye," January 13, 2006 - April 23, 2006.
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Bibliography:
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Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism: The Seavest Collection (Portland: Collector's Press, 2007), Page 127
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Links:
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Michelangelo Pistoletto, Uomo di Schiena, Sulla Roccia (Man from the Back, on Rocks), 2008
Silkscreen Print on Mirror-polished Stainless Steel, 98 3/8 x 49 1/4 in. (249.9 x 125.1 cm)
Fairfield Porter, Still Life, 1975
Watercolor on Paper, 22 1/2 x 30 1/2 in. (57.1 x 77.5 cm)
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Provenance:
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Virginia Anne Bonito Fine Arts Inc.
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Brooke Alexander, Inc.
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Barbara Ingbar Gallery
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Private Collection - New York
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Exhibitions:
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Museum of Fine Arts, Boston. "Fairfield Porter," January 12 - March 13, 1983, Illustrated in Catalog #140 (black and white)
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Katonah Gallery, Katonah. "Fairfield Porter: The Late Watercolors," June 15 - August 10, 1983.
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Duke University Museum of Art, Durham. "Get Real: Contemporary American Realism from the Seavest Collection," 4 April-6 June 1997.
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Bibliography:
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Joan Ludman, Fairfield Porter: A Catalogue Raisonne of the Paintings, Watercolors, and Pastels (New York: Hudson Hills Press, 2001), Page 95 (color) Page 358 b/w
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John T. Spike, Fairfield Porter: An American Classic (New York: Harry N. Abrams Inc., 1992), Page 308
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Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism: The Seavest Collection (Portland: Collector's Press, 2007), Page 33
|
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Virginia Anne Bonito, Get Real: Contemporary American Realism from the Seavest Collection (Durham, NC: Duke University Museum of Art, 1998), Page 101
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Links:
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Cornelius Quabeck, WT Plutonia, 2008
Charcoal, Acrylic and Objects on Canvas, 52 x 70 in. (132.1 x 177.8 cm)
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Provenance:
Friedrich Petzel Gallery
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Links:
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Marc Quinn, Venus and Mars, 2007
Pencil and Watercolor on Paper, 61 x 40 in. (154.9 x 101.6 cm)
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Provenance:
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Mary Boone Gallery
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Links:
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Mel Ramos, Almond Joy: The Lost Painting of 1965, #29, 2002
Oil on Canvas, 36 1/4 x 25 1/2 in. (92.1 x 64.8 cm)
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Provenance:
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Bernarducci Meisel Gallery
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Bibliography:
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Donald Kuspit with Louis Meisel, Mel Ramos Pop Art Fantasies: The Complete Paintings (New York: Watson-Guptill Publications, 2004), Page 194
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Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism: The Seavest Collection (Portland: Collector's Press, 2007), Page 169
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Links:
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Larry Rivers, On the Phone, 1995
Oil on Canvas Mounted on Sculpted Foam with Wood Support, 46 1/2 x 49 1/2 x 6 in. (118.1 x 125.7 x 15.2 cm)
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Provenance:
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Irving Galleries
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Exhibitions:
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Neuberger Museum of Art, Purchase. "Harrison Celebrates Art," June 30 - September 22, 1996.
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Duke University Museum of Art, Durham. "Get Real: Contemporary American Realism from the Seavest Collection," April 4 -June 6, 1997.
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Bibliography:
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Virginia Anne Bonito, Get Real: Contemporary American Realism from the Seavest Collection (Durham, NC: Duke University Museum of Art, 1998), Page 119
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Links:
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Larry Rivers, Roots, The Auction and Other Visions of Slavery, 1994
Pencil and Colored Pencil on Paper, 27 5/8 x 23 1/2 in. (70.2 x 59.7 cm)
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Provenance:
Marlborough Gallery Inc.
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Bibliography:
|
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Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism: The Seavest Collection (Portland: Collector's Press, 2007) . Page 146
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Links:
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Larry Rivers, Thomas Rice in the Role of Jim Crow The Minstrel Dancer, The Auction and Other Visions of Slavery, 1994
Pencil and Colored Pencil on Paper, 24 x 31 in. (61 x 78.7 cm)
Larry Rivers, Vanished World: Garbo and Boyer, 1994
Oil on Canvas Mounted on Sculpted Foam, 39 7/8 x 30 1/4 in. (101.3 x 76.8 cm)
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Provenance:
Marlborough Gallery, Inc.
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Exhibitions:
|
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Duke University Museum of Art, Durham. "Get Real: Contemporary American Realism from the Seavest Collection," 4 April-6 June 1997.
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Bibliography:
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Virginia Anne Bonito, Get Real: Contemporary American Realism from the Seavest Collection (Durham, NC: Duke University Museum of Art, 1998), Page 117
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Links:
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Larry Rivers, Study for Last Civil War Veteran, 1970
Mixed Media, 31 x 23 x 1 1/2 in. (78.7 x 58.4 x 3.8 cm)
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Provenance:
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Irving Galleries
|
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Bibliography:
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Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism: The Seavest Collection (Portland: Collector's Press, 2007) . Page 147
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Sam Hunter, Larry Rivers (New York: Rizzoli International Publications, Inc., 1989), Page 106
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Links:
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Alexis Rockman, Disneyworld II, 2005
Oil on Wood, 44 x 56 in. (111.8 x 142.2 cm)
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Provenance:
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Leo Koenig Gallery
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Exhibitions:
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Leo Koenig Gallery, New York. "American Icons," April 8 - May 5, 2006.
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Bibliography:
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Dorothy Spears, Robert Rosenblum, Bill McKibben, Alexis Rockman: American Icons/Big Weather (New York: Distributed Art Publishers, 2006), Page 19.
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Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism: The Seavest Collection (Portland: Collector's Press, 2007), Page 57
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Links:
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Alexis Rockman, Hollywood, 2005
Oil, Sand and Straw on Panel, 32 1/8 x 40 in. (81.6 x 101.6 cm)
James Rosenquist, Gift Wrapped Doll #37, 1997
Oil on Canvas, 60 x 60 in. (152.4 x 152.4 cm)
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Provenance:
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Feigen Contemporary
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Exhibitions:
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Neuberger Museum of Art, Purchase. "Facing Reality: Contemporary Realism from the Seavest Collection," September 14, 2003- February 14, 2004.
|
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Bibliography:
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Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism: The Seavest Collection (Portland: Collector's Press, 2007), Page 153
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Links:
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David Salle, Sideways Moon, 2002
Oil on Linen, 89 x 90 in. (226.1 x 228.6 cm)
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Provenance:
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Mary Boone Gallery
|
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Bibliography:
|
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Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism: The Seavest Collection (Portland: Collector's Press, 2007), Page 167
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|
Links:
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John Salt, Street Profile With Grain Elevators, 1990
Watercolor on Paper, 24 x 36 in. (61 x 91.4 cm)
|
Provenance:
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Louis K. Meisel Gallery
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Exhibitions:
|
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Duke University Museum of Art, Durham. "Get Real: Contemporary American Realism from the Seavest Collection," April 4 - June 6, 1997.
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Boca Raton Museum of Art, Boca Raton. "Shock of the Real," December 16, 2008 - March 8, 2009.
|
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Bibliography:
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Gianni Mecurio et al, Iperrealisti (Rome: Viviani Arte, 2003), Page 35
|
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Linda Chase, John Salt: The Complete Works 1969-2006
(London: Philip Wilson Publishers, 2007), Page 169.
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Louis K. Meisel, Photorealism Since 1980 (New York: Harry N. Abrams, Inc., 1993), Page 334
|
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Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism: The Seavest Collection (Portland: Collector's Press, 2007), Page 138
|
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Virginia Anne Bonito, Get Real: Contemporary American Realism from the Seavest Collection (Durham, NC: Duke University Museum of Art, 1998), Page 121
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Links:
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Jenny Saville, Self Portrait, 1991
Oil on Canvas, 53 7/8 x 48 in. (136.8 x 121.9 cm)
|
Exhibitions:
|
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Glasgow School of Art, Glasgow. "Graduation Show-1991," 1991.
|
|
Bibliography:
|
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Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism: The Seavest Collection (Portland: Collector's Press, 2007), Page 149
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Links:
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Jenny Scobel, Abroad, 2007
Pencil, Watercolor and Wax on Gessoed Wooden Panel, 48 3/8 x 34 in. (123 x 86.5 cm)
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Provenance:
Zeno X Gallery
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Links:
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Jenny Scobel, Teressa, 2007
Pencil, Watercolor and Wax on Gessoed Wooden Panel, 42 1/8 x 24 in. (107 x 61 cm)
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Provenance:
Zeno X Gallery
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Links:
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Jim Shaw, The Hope That Blinds, 2020
Acrylic on Muslin, 49 x 38 x 1 3/4 in. (124.5 x 96.5 x 4.5 cm)
The Hope That Blinds is based on an existing drawing from Shaw’s Man Machine series.
Here, a woman in a virginal white nightgown gazes in the direction of a retro-futuristic
home appliance that since its first outing in a 1950s advertisement has defected its use
value. The title is a reference to Pandora’s Box, and the Ancient Greek conception of ‘hope’
as a danger – the worst evil that encouraged deluded humans to suffer in the hope that
things would improve.
Bernardo Siciliano, Monday Morning, 2019
Oil on Canvas, 78 x 130 1/2 in. (198.1 x 331.5 cm)
Model is Anna Castellani.
Shahzia Sikander, Nemesis, 2003-2007
Watercolor and Video, 6 5/8 x 10 in. (16.8 x 25.4 cm)
| Provenance: Sikkema Jenkins & Co. |
| Exhibited: Neuberger Museum of Art. "Living with Art: Collecting Contemporary in Metro New York," May 1 - August 14, 2010. Princeton University Art Museum. "Contemporary Stories: Re-visiting Indian Narratives" October 22, 2016 - January 22, 2017 http://artmuseum.princeton.edu/ |
| Links: |
| Sikkema Jenkins & Co. |
| Shahzia Sikander |
Pakpoom Silaphan, Four Times Andy Sits on Pepsi, 2012
Mixed Media on Vintage Metal Sign, 48 7/16 x 63 1/4 in. (123.1 x 160.7 cm)
Kiki Smith, Now, 2005
Collage, Ink on Nepal Paper, 56 1/2 x 87 in. (143.5 x 221 cm)
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Provenance:
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John Berggruen Gallery
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Exhibited:
Neuberger Museum of Art. "Living with Art: Collecting Contemporary in Metro New York," May 1 - August 14, 2010.
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Bibliography:
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Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism:
The Seavest Collection (Portland: Collector's Press, 2007), Page 161
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Links:
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Zak Smith, They'll Fix You, They Fix Everythig, 2014
Acrylic and Ink on Paper, 40 x 30 in. (101.6 x 76.2 cm)
Zak Smith, Girls in the Naked Girl Business: Brandy Aniston with Pizza, 2013
Acrylic and Ink on Paper, 40 x 30 in. (101.6 x 76.2 cm)
Zak Smith, V in the Kitchen, 2003
Acrylic and Ink on Paper, 40 x 28 in. (101.6 x 71.1 cm)
Raphaella Spence, Cefalu, 2006
Oil on Canvas, 59 x 34 in. (149.9 x 86.4 cm)
Raphaella Spence, Bridge of Colors, 2004
Oil on Canvas, 59 x 31 1/2 in. (149.9 x 80 cm)
Alison Elizabeth Taylor, Sawdust and Glitter, 2022
Marquetry Hybrid on Panel, 50 x 75 in. (127 x 190.5 cm)
Alison Elizabeth Taylor, Anthony Cuts under the Williamsburg Bridge, Sunset, 2021
Marquetry Hybrid, 73 x 53 in. (185.4 x 134.6 cm)
Alison Elizabeth Taylor, The Cosmopolitan, 2016
Maquetry Hybrid, 56 x 49 in. (142.2 x 124.5 cm)
| Provence: |
| James Cohan Gallery |
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Links: |
Alison Elizabeth Taylor, Gold Spike Afternoon, 2015
Maquetry Hybrid, 33 x 27 in. (83.8 x 68.6 cm)
| Provence: |
| James Cohan Gallery |
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Links: |
Alison Elizabeth Taylor, The Lookers, 2015
Maquetry Hybrid, 58 x 46 in. (147.3 x 116.8 cm)
| Provence: |
| James Cohan Gallery |
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Links: |
Storm Tharp, Alternate Ending, 2010
Ink, Gouache & Colored Pencil on Paper, 74 1/2 x 48 3/4 in. (189.2 x 123.8 cm)
Fred Tomaselli, April 8, 2012, 2019
Guache, collage, and archival inkjet print on watercolor paper, 10 1/2 x 14 1/2 in. (26.7 x 36.8 cm)
Provence: James Cohan Gallery
Fred Tomaselli, January 11, 2019, 2019
Guache, collage, and archival inkjet print on watercolor paper, 10 1/2 x 14 1/2 in. (26.7 x 36.8 cm)
Provence: James Cohan Gallery
Bernardo Torrens, Holly I, 2006
Acrylic on Wood, 25 1/2 x 32 in. (64.8 x 81.3 cm)
Bernardo Torrens, Lakme, 1995
Acrylic on Panel, 68 x 29 in. (172.7 x 73.7 cm)
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Provenance:
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The Art Alliance
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Exhibitions:
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Arnot Art Museum, Elmira. "Re-Presenting Representation," November 1993.
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Duke University Museum of Art, Durham. "Get Real: Contemporary American Realism from the Seavest Collection," April 4 - June 6, 1997.
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Boca Raton Museum of Art, Boca Raton. "Truth in Beauty/Beauty in Truth: Contemporary Realism from the Seavest Collection," November 11, 1999 - January 2, 2000.
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Neuberger Museum of Art, Purchase. "Facing Reality: Contemporary Realism from the Seavest Collection," September 14, 2003- February 14, 2004.
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Bibliography:
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Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism: The Seavest Collection (Portland: Collector's Press, 2007), Page 158
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Virginia Anne Bonito, Get Real: Contemporary American Realism from the Seavest Collection (Durham, NC: Duke University Museum of Art, 1998), Page 123-125
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Links:
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Bernardo Torrens, Desnudo, 1993
Acrylic on Panel, 19 5/8 x 19 5/8 in. (50 x 50 cm)
Bernardo Torrens, Desnudo femenino""
Oil on Canvas, 31 x 45 1/4 in. (79 x 115 cm)
Doug Wada, Untitled (AC No.1), 2003
Oil on Linen over Panel, 18 x 26 in. (45.7 x 66 cm)
Doug Wada, Eames Shells, 2002
Oil on Linen, 24 1/2 x 89 in. (62.2 x 226.1 cm)
Kara Walker, Shiny Penny, 1995
Cut Out Construction Paper Mounted on Paper, 54 x 41 in. (137.2 x 104.1 cm)
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Bibliography:
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Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism:
The Seavest Collection (Portland: Collector's Press, 2007), Page 113
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Links:
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Idelle Weber, W.C. 12. 92. (I Have A Dream), 1992
Watercolor on Paper, 14 x 14 in. (35.6 x 35.6 cm)
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Provenance:
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Schmidt Bingham Gallery
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Exhibits:
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Kunsthalle, Emden. "The American Dream: American Realism 1945 - 2016," November 2017 - May 2018
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Links:
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Idelle Weber, Grape King, 1973
Watercolor on Paper, 13 3/8 x 10 in. (34 x 25.4 cm)
Idelle Weber, Blue Bird, 1972
Oil on Canvas, 38 x 50 in. (96.5 x 127 cm)
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Provenance:
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Schmidt Bingham Gallery
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Exhibitions:
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Whitney Museum, Stamford. "Six Takes on Photorealism," 1992.
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Duke University Museum of Art, Durham. "Get Real: Contemporary American Realism from the Seavest Collection," April 4 - June 6, 1997.
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Boca Raton Museum of Art, Boca Raton. "Truth in Beauty/Beauty in Truth: Contemporary Realism from the Seavest Collection," November 11, 1999 - January 2, 2000.
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Bibliography:
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Super Realism, Gregory Battock editor (New York: E. P. Dutton & Co., Inc, 1975), Page 316
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Louis K. Meisel, Photorealism (New York: Harry N. Abrams, Inc., 1980), Page 504; Plate 1172
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Virginia Anne Bonito, Get Real: Contemporary American Realism from the Seavest Collection (Durham, NC: Duke University Museum of Art, 1998), Page 127
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Links:
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John Wesley, Untitled (Brown Woman with Mouth Open), 2004
Acrylic on Paper, 22 1/2 x 24 in. (57.1 x 61 cm)
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Provenance:
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Fredericks & Freiser Gallery
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Bibliography:
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Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism:
The Seavest Collection (Portland: Collector's Press, 2007), Page 89
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Links:
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John Wesley, Untitled (Two Girls with Hands), 2004
Acrylic on Paper, 22 1/2 x 22 1/2 in. (57.1 x 57.1 cm)
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Provenance:
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Fredericks & Freiser Gallery
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Bibliography:
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Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism:
The Seavest Collection (Portland: Collector's Press, 2007), Page 89
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Links:
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John Wesley, Untitled (Bikini), 1991
Acrylic on Paper, 14 x 11 in. (35.6 x 27.9 cm)
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Provenance:
Fredericks & Freiser Gallery
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Links:
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Tom Wesselmann, Smoker Study #39, 1967
Oil on Canvas, 10 x 8 in. (25.4 x 20.3 cm)
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Provenance:
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Sidney Janis Gallery
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Phillipe Michel, Brussels
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Leo Dohmen, Antwerp
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Bibliography:
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Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism: The Seavest Collection (Portland: Collector's Press, 2007), Page 170
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Links:
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Tom Wesselmann, Study for Bedroom Painting #2, 1967
Oil on Canvas, 8 x 10 in. (20.3 x 25.4 cm)
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Provenance:
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Private Collection
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Wigersma Fine Art, Paris
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Bibliography:
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Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism: The Seavest Collection (Portland: Collector's Press, 2007), Page 171
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Links:
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Cynthia Westwood, White Bath, 2004
Oil on Linen, 36 x 64 in. (91.4 x 162.6 cm)
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Provenance:
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The Artist
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Bibliography:
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Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism: The Seavest Collection
(Portland: Collector's Press, 2007), Page 157
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Links:
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Chris Wilson, Maddy's Dad, 2022
Oil Pastel Stick on Archival Paper, 14 in. (35.6 cm)
Chris Wilson, My Little Dog, 2020
Acrylic on Wood, 16 x 11 1/2 in. (40.6 x 29.2 cm)
Chris Wilson, Omar is Coming, 2020
Acrylic on Carved Maple Wood, 16 1/4 x 12 in. (41.3 x 30.5 cm)
Chris Wilson, The Golden Child, 2020
Oil Pastel and Acrylic, 36 x 24 in. (91.4 x 61 cm)
Chris Wilson, The Master Planner, 2020
Oil Pastel and Acrylic, 36 x 24 in. (91.4 x 61 cm)
Chris Wilson, The Scholar, 2020
Oil Pastel and Acrylic, 36 x 24 in. (91.4 x 61 cm)
Chris Wilson, The Strategist, 2020
Oil Pastel and Acrylic, 36 x 24 in. (91.4 x 61 cm)
Chris Wilson, Free Riding!, 2019
Acrylic on Photograph, 24 x 36 in. (61 x 91.4 cm)
In collaboration with artist, Devin Allen.
Chris Wilson, Praying for a Heart, 2019
Acrylic on Board, 20 x 16 in. (50.8 x 40.6 cm)
Chris Wilson, Young Queens, 2019
Acrylic and Pigment on Canvas, 24 x 36 in. (61 x 91.4 cm)
Artist website: Chris Wilson
Chris Wilson, Solitary Confinement is Torture, 2017
Acrylic on Wood, 28 x 26 in. (96.5 x 66 cm)
Artist Website: Chris Wilson
Su-en Wong, Full Bloom, 2002
Colored Pencil on Paper, 80 x 118 in. (203.2 x 299.7 cm)
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Provenance:
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John Morrissey Collection
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Bibliography:
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Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism:
The Seavest Collection (Portland: Collector's Press, 2007), Page 148
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Links:
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Lisa Yuskavage, Pajamas, 2002
Pastel on Paper, 12 1/2 x 9 1/2 in. (31.8 x 24.1 cm)
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Provenance:
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Marianne Boesky Gallery
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Bibliography:
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Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism: The Seavest Collection (Portland: Collector's Press, 2007), Page 135
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Links:
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Lisa Yuskavage, Small Question, 2000
Oil on Canvas, 12 x 9 in. (30.5 x 22.9 cm)
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Bibliography:
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Tamara Jenkins, Lisa Yuskavage: Small Paintings 1993-2004 (New York, NY: Harry N. Abrams, 2004), 192, Page 128
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Links:
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Lisa Yuskavage, Sick Clown, 1999
Oil on Canvas, 55 1/8 x 43 1/8 in. (140 x 109.5 cm)
